A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they're joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war. Written by
Warner Bros. Pictures
Production Designer Aaron Osborne and Cinematographer Scott Kevan attempted to enhance the color scheme of the comics, where only two to three colors were used to convey the tone of each setting, so they charted the whole movie with certain color schemes for each location, and different shades as time passed("Every chapter of the comic books is a new environment distinguished by different color palettes - so every time we are in a new city or country, the aesthetic of the film changes completely, so there is no homogeneous look. It's very eclectic."). See more »
In the first scene as they are putting cards on their foreheads, Jensen's and Rogue's cards keep rotating: the woman is laying on her back and then standing up throughout the whole scene. See more »
Okay. You know that if we do this, we are waging a war against the Central Intelligence Agency.
They started it.
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There is a scene in the closing credits: the Losers attend a soccer match for Jensen's niece. See more »
Though slightly juvenile for an action film, (hence the PG-13 rating) The Losers has wit, and that counts for something. The clichés are all there; the distraught hero, the girl with the gun, the dapper villain eager to get his hands on nuclear weapons, the geeky tech nerd, the bad-guy cops. The Losers frequently plays all this for laughs, it has a great sense of humour without which the film would be epically cheesy. There are some familiar faces in the cast, along with some new ones, and everyone seems to be having a good time, which helps us to have a good time.
If I had to guess, I'd say it'd be Zoe Saldana which the studio values most for selling the product, which is kind of degrading. She may well be on the road to the Typecast city, until James Cameron gets Avatar 2 going. At least she can do her own stunts, something Megan Fox is probably incapable of. The best performance in the movie though is turned in by Jason Patric oddly enough, whose take on the clichéd super villain ready to wreak havoc with the push of a button, is perfect. There is no way anyone could take such a character seriously no why not goof it up a bit. The year is young but this guy is the Col. Hans Landa of 2010. Sometimes, the Losers doesn't work so good. At times it is just a little too unbelievable, especially the interplay between Saldana and Morgan, which is just gratuitous.
So for an early blockbuster, The Losers delivers about what you'd expect. Though there is nothing super special about it, the movie has some tricks up its sleeve which might be worth checking out.
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