Railroad owner Dagny Taggart and steel mogul Henry Rearden search desperately for the inventor of a revolutionary motor as the U.S. government continues to spread its control over the national economy.
'Ayn Rand & the Prophecy of Atlas Shrugged is a feature length documentary film that examines the resurging interest in Ayn Rand's epic and controversial 1957 novel and the validity of its dire prediction for America.
Revealing the surprising life story of one of the world's most influential minds, this unprecedented film weaves together Ayn Rand's own recollections and reflections, providing a new understanding of her inspirations and influences.
Based on the life of Rich Mullins, a musical prodigy who rose to Christian music fame and fortune only to walk away and live on a Navajo reservation. An artistic genius, raised on a tree ... See full summary »
It was great to be alive, once, but the world was perishing. Factories were shutting down, transportation was grinding to a halt, granaries were empty--and key people who had once kept it running were disappearing all over the country. As the lights winked out and the cities went cold, nothing was left to anyone but misery. No one knew how to stop it, no one understood why it was happening - except one woman, the operating executive of a once mighty transcontinental railroad, who suspects the answer may rest with a remarkable invention and the man who created it - a man who once said he would stop the motor of the world. Everything now depends on finding him and discovering the answer to the question on the lips of everyone as they whisper it in fear: Who *is* John Galt?Written by
In the opening minute of the movie describing the economic turmoil taking place in 2016, there is a quick image of an article from Trinzinca dated "Sunday, 18 June 2016". June 18, 2016 was a Saturday, not Sunday. See more »
I was prepared to cringe at this Atlas Shrugged, universally panned by the critics for its low budget and no-name cast. Instead, I was pretty impressed. The story was faithful to the book, and the message and narrative clear, with the producers wisely sidestepping most of Rand's stilted polemics.
Yes, the budget did confine most shooting to interiors, but there was enough "big sky" material, railroad operations, and steel mill shots to give the film some scope. And the SFX and CG used in the supertrain shots, which probably absorbed half the budget, were worth every penny.
The cast, and especially Taylor Shilling, who played Dagny, and Grant Bowler (Rearden) did a great job.
Overall, I liked AS, and look forward to the sequels. I just hope the producers can raise the financing to make them.
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