Atlas Shrugged: Part I (2011)

Railroad executive Dagny Taggart and steel mogul Henry Rearden form an alliance to fight the increasingly authoritarian government of the United States.

Director:

Paul Johansson

Writers:

Brian Patrick O'Toole (screenplay by), John Aglialoro (screenplay by)

Stars:

Taylor Schilling, Grant Bowler, Matthew Marsden

1 win.

Cast

Cast overview, first billed only:
Taylor Schilling	...	Dagny Taggart
Grant Bowler	...	Henry 'Hank' Rearden
Matthew Marsden	...	James Taggart
Edi Gathegi	...	Eddie Willers
Jsu Garcia	...	Francisco D'Anconia
Graham Beckel	...	Ellis Wyatt
Jon Polito	...	Orren Boyle
Patrick Fischler	...	Paul Larkin
Rebecca Wisocky	...	Lillian Rearden
Michael Lerner	...	Wesley Mouch
Neill Barry	...	Phillip Rearden
Christina Pickles	...	Mother Rearden
Paul Johansson	...	John Galt
Joel McKinnon Miller	...	Herbert Mowen
Steven Chester Prince	...	Engineer

Storyline

It was great to be alive, once, but the world was perishing. Factories were shutting down, transportation was grinding to a halt, granaries were empty--and key people who had once kept it running were disappearing all over the country. As the lights winked out and the cities went cold, nothing was left to anyone but misery. No one knew how to stop it, no one understood why it was happening - except one woman, the operating executive of a once mighty transcontinental railroad, who suspects the answer may rest with a remarkable invention and the man who created it - a man who once said he would stop the motor of the world. Everything now depends on finding him and discovering the answer to the question on the lips of everyone as they whisper it in fear: Who *is* John Galt?

---

Plot Keywords:

railroad | motor | railroad company | neo noir | new york city | 

---

Taglines:

Who is John Galt?

---

Genres:

Drama | Mystery | Sci-Fi

---

Motion Picture Rating (MPAA)

Rated PG-13 for some sexuality

Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

15 April 2011 (USA)

Also Known As:

Atlas Shrugged: Part I

Filming Locations:

Piru Mansion - 829 & 837 Park Road, Piru, California, USA

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$1,686,347, 17 April 2011, Limited Release

Gross USA:

$4,752,353

Company Credits

Production Co:

Atlas Productions

Technical Specs

Runtime:

97 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The entire cast was replaced for the sequel Atlas Shrugged II: The Strike (2012).

---

Goofs

The change of seasons in the Colorado scenes clearly do not match the dates shown in the film. The aspen trees are always shown at the beginning of their seasonal change, which would take place in late September and into October and would not be seen at other times.

---

Quotes

Ellis Wyatt: Who the hell are you?
John Galt: My name is John Galt. I live in a place we call Atlantis, and I think you'd fit in there. It's a place where heroes live; where those who *want* to be heroes live. The government we have there respects each of us as individuals and as producers. Actually, beyond a few courthouses there isn't much government at all. Bottom line, Mr Wyatt; if you're weary of a government that refuses to limit its power over you, if you're ready at this moment to claim the moral right to your...

---

Connections

Featured in Ebert Presents: At the Movies: Episode #2.2 (2011)

---

Soundtracks

I've Got a Lot to Lose
Written by Steve Weisberg (Stove Proeber Music-BMI)
Performed by The Late Night Society Orchestra
Produced by Gary Gold and Steve Weisberg

User Reviews

Atlas Shrugged, Part 1 Opening Dy Review

How is Atlas Shrugged different from any other movie? Why has is taken 54 years to bring Ayn Rand's epic 1,100 page novel to the big screen? Why is it lacking participation from the A-list Hollywood names once attached to it, Anjelina Jolie, Charlize Theron, Robert Redford, Clint Eastwood, Maggie Gyllenhaal, and Faye Dunaway? Why did it open on only 300 screens nationwide, and why was that opening on April 15, 2011, coincident with the third annual Tax Day Tea Party? Why are the founders and top executives of the nation's most successful industrial empires disappearing without a trace, one by one? Why ask useless questions? Who is John Galt? Because they have answers, that's why. Those who have read Rand's 1957 magnum opus know the answer to the last of those questions. This posting will suggest an answer to the first, which may in turn offer clues to the others.

So, what makes Atlas Shrugged different? It takes place in the near-term future, 2016 (a departure from the book). That's not it; we have seen thousands of movies about an imagined future. The nation is in the worst economic recession in history. Nothing new there. People of former means are living in the streets, homeless and destitute, while the captains of industry and owners of large corporations grow rich. No departure from the Hollywood norm there. The story is told from the points of view of those ultra-rich tycoons and moguls, the movie's sympathetic characters. There it is. Never before has a major Hollywood movie departed from its pet formula in which the "bad guys" are the evil rich. Not until now has a movie examined the question, why do we hate the founders of corporations, and why do we blame them for unemployment, when they are the ones who create jobs, not destroy them?

Atlas Shrugged asks the viewer to think and understand, similar to other business- themed files like Wall Street and Rollover. Readers may be disappointed that the monumental size of the novel does not afford time for the screenplay to take the user into certain folds of the full story, since many characters must be introduced, and much of the political/business climate must be laid down as foundation. As a result, much of the screenplay consists of dry dialog, and much of the action from the novel is absent, presented in exposition such as newspaper headlines. The train wreck with which the book introduces us to heroine Dagny Taggart's heroic can-do character is shown only on a television news screen, and mentioned only once much later in dialog. The story of the Twentieth Century Motor Company's failure is given in brief narration by Hank Rearden. The back-story relationship between Dagny and Francisco D'Anconia is not explored at all. Eddie Willers is reduced to little more than an office messenger, periodically updating the principles on the latest story developments.

Dagny and Rearden themselves are played with dry professionalism by Taylor Schilling and Paul Johansson, owing to their characters' purely-business attitudes toward life. Only in the final cliffhanging scene does Schilling display the real passion of Dagny, in a single exclamation reminiscent of Scarlett O'Hara's anguished cry which closes the first half of Gone with the Wind. Some familiar character actors are present: Graham Beckel gives a compelling performance as oil magnate Ellis Wyatt, as do John Polito as steel competitor Orren Boyle and Michael Lerner as Washington lobbyist Wesley Mouch (conspicuously not pronounced, "mooch"). Rebecca Wisocky is delightfully unlikeable Rearden's ungrateful wife of 10 years, Lillian, inducing chuckles among viewers as she delivers snide, condescending comments directed at her successful husband, from whom she is nonetheless not too proud to freeload.

The cinematography is extraordinary, particularly during a montage in which the inaugural run of the new Rio Norte train crosses breathtaking views of Colorado. This movie gives us heavy industrial shots such as rail yards and steel mills, not as hideous rusted eyesores but as the industrialists see them: glorious grand machinery producing goods and pumping wealth into the nation's economy. That is another way in which this movie is different - its view that industry is not evil, enemy to all that is good and healthy, but rather the foundation upon which modern society is built.

The biggest disappointment is the sudden ending, to those who have not read the book and were expecting more than "half a movie." In reality, it is one-third, as the filmmakers have divided the story in same manner Ayn Rand divided the novel: into three parts. Atlas Shrugged, then is a trilogy, in which Part 1 only begins to hint at the answer to the pervasive question, "Who is John Galt?" The closing credits veritably beg for Part 2.