Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
As Scott Lang balances being both a superhero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
Steve Rogers, a rejected military soldier, transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Samuel L. Jackson
Armed with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner-hero and help his mentor, Dr. Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.Written by
For her iconic credits scene as the "crazy stupid fine" reporter, actress Anna Akana was told by director Peyton Reed several times to stuff her bra with toilet paper, as well as having to do her own hair and makeup before arriving on-set. See more »
(at around 1h 25 mins) When Hope is pointing the pistol, her trigger finger changes position between shots. First it's off the trigger and outside the guard, then it's on the trigger and finally it's back off the trigger and outside the guard again. But a finger can be moved rapidly, and the movie doesn't necessarily show every moment in real-time. See more »
He doesn't seem happy. Hello, Hank. You're supposed to be in Moscow.
I took a detour... Through your defense lab.
[slams a vial of Pym particles on table]
Tell me that isn't what I think it is.
That depends if you think it's a poor attempt to replicate my work. Even for this group, that takes nerve.
You were instructed to go to Russia. May I remind you, Dr. Pym, that you're a soldier...
I'm a scientist.
Then act like one. The Pym Particle is the most revolutionary science ever ...
[...] See more »
There is a statement at the end of the closing credits: "Ant-Man will return." His next appearance in the MCU is in Captain America: Civil War (2016), as indicated in the post-credits scene. See more »
Ant-Man has been through a very long development, it was started with Edgar Wright committing to write and direct the film, but years went by and Marvel finally has a studio of its own, manipulations do compromise Wright's vision which lead him leaving the project. In spite of that issue, the film spares much of his screenplay as it still has his trademarks all over the place. While it's delightful to notice those sequences being left intact, there is still a dejected feeling of what it could have been if he actually handled it entirely. For now, most of the style is basic Marvel. As a movie itself, it's quite refreshing to see a superhero film that doesn't contain much heavy handed explosions compared to the last few films they gave us. And it's a good reminder that joy can still be found in this genre even at its smaller scale, thanks to its engaging cast and downright appealing personality.
The movie doesn't involve stopping some mass destruction or a general build up for future installments (the reference still exists, but isn't exactly the priority.) People may brag about this as going back to the basic mold of origin stories where you see outcasts living in a city having unexpected fate of becoming a superhero. The difference however is the premise is a lot sillier that is taken with vast self-awareness through that concept. The entirety is basically a mix between family drama and smart comedy. The comedic side is where it thoroughly shines, the film finding energy through its visuals and each actor's charisma. The drama on the other hand is basically to establish the character's pathos through their backstories. It's not quite subtle, but fits enough to breathe after a set of sillier spectacles.
The major plot is basically just a heist, except the main character has the ability to alter his own scale while spectators and their enemies are constantly being flummoxed about what exactly is happening. It's simple, but there is so much going on and yet it is made easily exciting by its own personality and crazier imaginations, you can identify that most of the creativity came from Wright's idea. How the movie recreates his style from the script is fine and it's admirable to retain the same quirk and energy from the vision at some points. At the other scenes, it's typical Marvel flare, and as said, it looks cool, but it's more remarkable at the less conventional turns.
Paul Rudd brings real charisma and some depth to Scott Lang, keeping him from being a generic anti-hero. Michael Douglas establishes actual depth within Hank Pym in a lot of moments. Corey Stoll embraces his almost unbelievably inhumane role, which strangely makes it an effectively menacing villain. Evangeline Lilly appears to be more than a love interest and that is alright. Michael Peña steals all of his scenes, which a role that could have been just another comic-relief, he makes all of his character's greatest comedic moments remarkably delightful.
It's still quite inevitable to keep bringing up the supposed-to-be helmer of Ant-Man, because his fingerprints are really there, while it's actually nice to see it hinting every once in a while, it also feels somewhat exasperating for what daring opportunity it could have been. We'll never know the answer. Still, Ant-Man brings a sheer amount of fun. It's filled with comicbook enthusiasm and memorable laughs that appropriately sticks through its actually preposterous property. The cast helps bringing all of it to life, from levity to gravity. The action is executed with affecting weirdness. Ant-Man is best when it's weirder, because that is where it speaks its own flavor.
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