After discovering most of the police force is on the take, Sam must decide how to handle it and figure a way to get DCI Hunt on board. The fact the mob boss is responsible for terrorizing his mother ...
In one scene, an ultrasound monitor is shown for a woman who is expecting a baby. The building used as the hospital was in fact one of the five places that had introduced ultrasound trials by July 1973. However, ultrasound scanning was extremely rare until it was officially released for public use in 1975. See more »
The bar scene: No beers cost 22p in 1973. Also, as the UK were still changing the money over, use and handing over of decimals would have been a lot slower than as shown in the film. Beer in Manchester would have been between 10np and 15np (or 2-3 shillings).
It was revealed in Ashes to Ashes that this era inhabited is a kind of police purgatory: Heavy artistic license can be used with these details, as it's not the real living world/ reality being portrayed. See more »
My name is Sam Tyler. I had an accident, and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home.
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While the version shown on BBC in the UK are 58 minutes in duration, the repeats on Bravo (UK) and the versions shown worldwide are cut down to about 42 minutes to make way for adverts and to cut down on the more adult material (particularly nudity and swearing). Much of the 1970s music is also replaced with public domain music due to rights issues. See more »
I'm giving a vote of 9 out of 10 to Life on Mars, even though I know BBC America must be butchering the episodes they are screening in the US. IMDb says the runtime is 58 minutes. After you take out the commercials and endless promos BBC America runs each hour (at least 8 or 9 minutes must be for that brain sucking waste of time, Footballers Wives), I'm guessing we in the US are viewing about 44 minutes out of the 58. So good is Life on Mars, however, I'm willing to put up with it--and hope for the full version DVDs later.
What makes this show tick? Perhaps it's the ever present dreamscape quality--made possible by the slight sepia tint seemingly applied on most setups, which combine with the bright incandescent interior lighting of the institutional quality police stations, bar rooms, and housing projects to give a greenish, otherworldly haze to many scenes.
Combine this with the fun look back into a time without computers, fax machines and those damnable cell phones and you have poor Sam Tyler facing off with an English version of Dirty Harry. Combustible. Not to mention that Sam's holier than thou attitude is beginning to lose out to the realists on the beat. All of it makes for a very interesting hour--or 44 minutes.
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