For fun-loving party animal Ben Stone, the last thing he ever expected was for his one-night stand to show up on his doorstep eight weeks later to tell him she's pregnant with his child.
A process server and his marijuana dealer wind up on the run from hitmen and a corrupt police officer after he witnesses his dealer's boss murder a competitor while trying to serve papers on him.
John Beckwith and Jeremy Grey, a pair of committed womanizers who sneak into weddings to take advantage of the romantic tinge in the air, find themselves at odds with one another when John meets and falls for Claire Cleary.
6 Los Angeles celebrities are stuck in James Franco's house after a series of devastating events just destroyed the city. Inside, the group not only will have to face with the apocalypse, but with themselves.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
Devastated Peter takes a Hawaiian vacation in order to deal with the recent break-up with his TV star girlfriend, Sarah. Little does he know, Sarah's traveling to the same resort as her ex - and she's bringing along her new boyfriend.
Ron Burgundy is San Diego's top-rated newsman in the male-dominated broadcasting of the 1970s, but that's all about to change for Ron and his cronies when an ambitious woman is hired as a new anchor.
Director:
Adam McKay
Stars:
Will Ferrell,
Christina Applegate,
Steve Carell
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
When Alison Scott is promoted in E! Television, she goes to a night-club to celebrate with her older married sister Debbie. Alison meets the pothead reckless Ben Stone and while having a small talk with Ben, Debbie's husband Pete calls her to tell that their daughter has chicken pox. Debbie leaves the place but Allison stays with Ben, drinking and dancing along all night; completely wasted, they end up having a one night stand. Ben does not use a condom and eight weeks later, Allison discovers that she is pregnant. She calls Ben and they decide to try to stay together and have the baby. However, Ben needs to grow up first to raise a family of his own.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The crew members in the studio scenes at E! are actual members of the E! News (1991) crew. However, the editing bay where Alison edits her pieces with Brent, isn't an editing bay. It is the studio control room for E! News and the Daily 10. See more »
Goofs
In the dinner scene when Pete does his Robert De Niro impersonation, his wine glass is shown in his hand, then on the table, and back again. See more »
Quotes
[first lines]
Jay:
I got to get off! I got to get off! Got to get off! Got to get off!
See more »
Crazy Credits
Baby photos of the cast and crew are shown during the closing credits. See more »
Probably because there is something fundamentally poignant about watching people you deem hopeless stumbling toward responsibility, this movie reminds me of the old Natalie Wood/Steve McQueen dramedy, 1963's "Love With the Proper Stranger", about a Macy's salesgirl who gets impregnated by a ne'er-do-well jazz musician during a one-night stand and then tracks what happens afterward. However, this is the 21st century, and the girl is now an interviewer on E!, and the guy is a very non-McQueen-like slacker in this uproarious and quite humane 2007 comedy, the latest work from writer/director Judd Apatow ("The 40-Year-Old Virgin"). In both comedies, he manages an amazing balancing act between a raunchy, post-frat hilarity and a shrewdly observed social commentary. Yet, there is no discernible fluctuation in the humor or the genuinely good spirit the films generate. Blessedly free of exhausting crescendo moments, the dialogue has a nice ramshackle feel and so do the characters. You really feel you want to know what happens to them after the film ends.
The story looks at the outset like your standard Hollywood opposites-attract rom-com as it centers on the burgeoning relationship between Ben Stone, the perfectly named definition of a slacker, and Alison Scott, the beautiful entertainment reporter. They meet at a trendy LA bar where she is celebrating her promotion to on-air personality. Ben buys her a beer, and she is impressed enough by his unexpected chivalry to keep him company. One thing leads to another, and you can guess the rest. But what you can't guess so easily is how these characters respond to the situation and to each other. There is also a surrounding gallery of characters offering their own opinions about what is developing, in particular, Alison's acerbic older sister Debbie, who is facing a crisis of her own as the control-freak wife of passively dissatisfied husband Pete. Their story intertwines nicely with the main plot line to the point where each makes the other more resonant.
Familiar faces from "The 40-Year-Old Virgin" return in this movie beginning with Seth Rogen, who proves he can carry a movie as Ben. Despite outward appearances to the contrary, his shaggy-dog demeanor and sometimes piercing self-deprecation provide much of the heart in the picture. As a last-minute substitute for Anne Hathaway, Katherine Heigl proves she can translate her natural likability on "Grey's Anatomy" to the big screen with ease. As Alison, she shows herself to be the rare actress who can be drop-dead gorgeous, smartly aware and genuinely non-judgmental. Apatow's wife Leslie Mann, who memorably demanded French toast while driving drunkenly through LA in "Virgin", is terrific as Debbie, an often-irritating mass of neuroses whom you somehow like despite herself. She has a great self-revelatory scene with a bouncer outside the same bar we see at the beginning. Paul Rudd plays Pete in his deceptively casual manner with a standout scene stoned in a Vegas hotel room.
Harold Ramis has a nice small scene as Ben's proud dad, while Ben's friends are an assortment of slacker-types played out like a well-tuned improv troupe. My one complaint about the film is just some of the sluggish pacing toward the last third of the film, the same problem I had with "Virgin". A running time of 129 minutes seems a bit long for the story being told here, though the birthing scene is hilariously executed, in particular, a scene-stealing bit by Ken Jeong as the passive-aggressive gynecologist called on to deliver the baby at the last minute. One other minor irritant are the deliberate references to "Virgin" in some of the dialogue between Ben and Pete. Regardless, this is one smart, heartfelt character-driven farce that far exceeded my expectations.
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Probably because there is something fundamentally poignant about watching people you deem hopeless stumbling toward responsibility, this movie reminds me of the old Natalie Wood/Steve McQueen dramedy, 1963's "Love With the Proper Stranger", about a Macy's salesgirl who gets impregnated by a ne'er-do-well jazz musician during a one-night stand and then tracks what happens afterward. However, this is the 21st century, and the girl is now an interviewer on E!, and the guy is a very non-McQueen-like slacker in this uproarious and quite humane 2007 comedy, the latest work from writer/director Judd Apatow ("The 40-Year-Old Virgin"). In both comedies, he manages an amazing balancing act between a raunchy, post-frat hilarity and a shrewdly observed social commentary. Yet, there is no discernible fluctuation in the humor or the genuinely good spirit the films generate. Blessedly free of exhausting crescendo moments, the dialogue has a nice ramshackle feel and so do the characters. You really feel you want to know what happens to them after the film ends.
The story looks at the outset like your standard Hollywood opposites-attract rom-com as it centers on the burgeoning relationship between Ben Stone, the perfectly named definition of a slacker, and Alison Scott, the beautiful entertainment reporter. They meet at a trendy LA bar where she is celebrating her promotion to on-air personality. Ben buys her a beer, and she is impressed enough by his unexpected chivalry to keep him company. One thing leads to another, and you can guess the rest. But what you can't guess so easily is how these characters respond to the situation and to each other. There is also a surrounding gallery of characters offering their own opinions about what is developing, in particular, Alison's acerbic older sister Debbie, who is facing a crisis of her own as the control-freak wife of passively dissatisfied husband Pete. Their story intertwines nicely with the main plot line to the point where each makes the other more resonant.
Familiar faces from "The 40-Year-Old Virgin" return in this movie beginning with Seth Rogen, who proves he can carry a movie as Ben. Despite outward appearances to the contrary, his shaggy-dog demeanor and sometimes piercing self-deprecation provide much of the heart in the picture. As a last-minute substitute for Anne Hathaway, Katherine Heigl proves she can translate her natural likability on "Grey's Anatomy" to the big screen with ease. As Alison, she shows herself to be the rare actress who can be drop-dead gorgeous, smartly aware and genuinely non-judgmental. Apatow's wife Leslie Mann, who memorably demanded French toast while driving drunkenly through LA in "Virgin", is terrific as Debbie, an often-irritating mass of neuroses whom you somehow like despite herself. She has a great self-revelatory scene with a bouncer outside the same bar we see at the beginning. Paul Rudd plays Pete in his deceptively casual manner with a standout scene stoned in a Vegas hotel room.
Harold Ramis has a nice small scene as Ben's proud dad, while Ben's friends are an assortment of slacker-types played out like a well-tuned improv troupe. My one complaint about the film is just some of the sluggish pacing toward the last third of the film, the same problem I had with "Virgin". A running time of 129 minutes seems a bit long for the story being told here, though the birthing scene is hilariously executed, in particular, a scene-stealing bit by Ken Jeong as the passive-aggressive gynecologist called on to deliver the baby at the last minute. One other minor irritant are the deliberate references to "Virgin" in some of the dialogue between Ben and Pete. Regardless, this is one smart, heartfelt character-driven farce that far exceeded my expectations.