7.2/10
65,548
238 user 242 critic

In the Valley of Elah (2007)

Trailer
0:31 | Trailer

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A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.

Director:

Paul Haggis

Writers:

Paul Haggis (screenplay), Mark Boal (story) | 1 more credit »
Reviews
Popularity
3,560 ( 1,026)
Nominated for 1 Oscar. Another 3 wins & 18 nominations. See more awards »

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Photos

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Cast

Cast overview, first billed only:
Tommy Lee Jones ... Hank Deerfield
Charlize Theron ... Det. Emily Sanders
Jason Patric ... Lt. Kirklander
Susan Sarandon ... Joan Deerfield
James Franco ... Sgt. Dan Carnelli
Barry Corbin ... Arnold Bickman
Josh Brolin ... Chief Buchwald
Frances Fisher ... Evie
Wes Chatham ... Corporal Steve Penning
Jake McLaughlin ... Spc. Gordon Bonner
Mehcad Brooks ... Spc. Ennis Long
Jonathan Tucker ... Mike Deerfield
Wayne Duvall ... Detective Nugent
Roman Arabia ... Private Robert Ortiez (as Victor Wolf)
Brent Briscoe ... Detective Hodge
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Storyline

In Monroe, Tennessee, Hank Deerfield, an aging warrior, gets a call that his son, just back from 18 months' fighting in Iraq, is missing from his base. Hank drives to Fort Rudd, New Mexico, to search. Within a day, the charred and dismembered body of his son is found on the outskirts of town. Deerfield pushes himself into the investigation, marked by jurisdictional antagonism between the Army and local police. Working mostly with a new detective, Emily Sanders, Hank seems to close in on what happened. Major smuggling? A drug deal gone awry? Credit card slips, some photographs, and video clips from Iraq may hold the key. If Hank gets to the truth, what will it tell him? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Sometimes The Truth Is Best Left Buried See more »


Motion Picture Rating (MPAA)

Rated R for violent and disturbing content, language and some sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

28 September 2007 (USA) See more »

Also Known As:

Death and Dishonor See more »

Filming Locations:

USA See more »

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Box Office

Opening Weekend USA:

$133,557, 16 September 2007, Limited Release

Gross USA:

$6,777,741, 21 February 2008

Cumulative Worldwide Gross:

$29,527,293, 29 March 2009
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The online news article about the Mexican drug cartel that Charlize Theron reads is authored by Greg Hooper and William Kent, who are really the movie's Art Director and Visual Effects Supervisor, respectively. See more »

Goofs

The first video downloaded from the camera phone shows elaborate well-focused telephoto work, as well as a high crane shot of the native people. This type of video could not be shot by the tiny cell phone or by person less than about fifteen feet tall. See more »

Quotes

[first lines]
Spc. Gordon Bonner: What are you doing? Get back in the fucking vehicle man! Mike, get back in the fucking vehicle. Let's go, Mike, now!
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Crazy Credits

Jason Patric does not appear at all in the end credits. Since he plays a pivotal role in the film and is seen in many of the scenes, it seems odd that he is uncredited for this role in this film. See more »

Connections

Referenced in The O'Reilly Factor: Episode dated 2 April 2008 (2008) See more »

Soundtracks

This Mess
Written by Joel Byrne
Performed by Wolf & Cub
Courtesy of 4AD Ltd/Remote Control/Dot Dash Recordings
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Frequently Asked Questions

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User Reviews

 
confused by reviews
11 November 2007 | by Rick-34See all my reviews

I just saw this film and consider it to be one of the best anti-war films I've seen in quite a long time. And that makes me wonder at what the various critics are thinking. Roger Ebert gets it right, but some film critics are far too dismissive of a very serious, important film. James Berardinelli, in particular, seems curiously _angry_ that this film depicts the moral degradation of war in a frank and honest fashion.

Berardinelli is basically wrong in every single thing he says about the film. Since this film is not a "politcal message" film, it has no requirement to "show both sides equally". It is a story about a group of soldiers basically driven beyond the area of traditionally human behavior. Berardinelli thinks that it's "obvious" that war changes the way people feel about their country.

I sense a person utterly detached from history when I read that. A recent study concluded that the English were, as a group, fairly happy during WWII, even when their nation was under attack. Why was that? Because they believed in what they were doing. The notion that war _necessarily_ results in moral breakdown is, while hardly novel, also not true. That is part of what is important about "Elah". Jones' character is a veteran of the Vietnam war, and is hardly a delicate flower when it comes to the matters of war and its effect on the psyche. And yet even he is floored at what the Iraq war has done to the soldiers.

It is easy for a film critic to simply reject what is essentially reporting on the state of the military today. That Berardinelli does so with such vitriol makes me guess that he is injecting his own bias into the review.


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