| Cast overview, first billed only: | |||
| Tommy Lee Jones | ... | Ed Tom Bell | |
| Javier Bardem | ... | Anton Chigurh | |
| Josh Brolin | ... | Llewelyn Moss | |
| Woody Harrelson | ... | Carson Wells | |
| Kelly Macdonald | ... | Carla Jean Moss | |
| Garret Dillahunt | ... | Wendell | |
| Tess Harper | ... | Loretta Bell | |
| Barry Corbin | ... | Ellis | |
| Stephen Root | ... | Man who hires Wells | |
| Rodger Boyce | ... | El Paso Sheriff | |
| Beth Grant | ... | Carla Jean's Mother | |
| Ana Reeder | ... | Poolside Woman | |
| Kit Gwin | ... | Sheriff Bell's Secretary | |
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Zach Hopkins | ... | Strangled Deputy |
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Chip Love | ... | Man in Ford |
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)
The message of this film is that there is no symmetry to life. What goes around does not come around. The fall of the coin has no bearing on the way the cookie crumbles. There is no right or wrong to the fates of men. No justice. Opportunities seized may lead on to fortune, but they could just as well lead on to dusty death. Only children expect things to be fair. As things once were they need no longer be. Now that IMDb has decided to list reviews by date there is a slightly increased possibility that this effort will be read by someone. Performance reviews are absolutely not read by me for helpfulness, but for interest and entertainment.