A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.
During the Cold War, an American lawyer is recruited to defend an arrested Soviet spy in court, and then help the CIA facilitate an exchange of the spy for the Soviet captured American U2 spy plane pilot, Francis Gary Powers.
A murder inside the Louvre, and clues in Da Vinci paintings, lead to the discovery of a religious mystery protected by a secret society for two thousand years, which could shake the foundations of Christianity.
A troubled young boy, Oskar, is trying to cope with the loss of his father. Oskar starts lashing out at his mother and the world. Until a year later, he discovers a mysterious key in his father's belongings and embarks on a scavenger hunt to find the matching lock, just as he used to when his father was alive. On this journey he is bound to meet a lot of people and learn a lot about himself and his family, but will he ever find the lock?Written by
Tom Hanks is named in Foer's book about the movie "Sleepless in Seattle" (1993) See more »
The continuity in editing was missed: Oskar is talking to the "Renter" in the rickety old bridge. A plane is obviously flying behind Oskar and it disappears or is out of view behind a shack for a moment. It does not reappear on the other side of the shack. REBUTTAL: There is a cut to the face of the Renter just before the plane would be emerging from behind the building. It's not an error, we just didn't see the shot of the plane because of the change in camera position. See more »
There are more people alive now than have died in all of human history, but the number of dead people is increasing. One day, there isn't going to be any room to bury anyone anymore. So, what about skyscrapers for dead people, that are built down. They could be underneath the skyscrapers for living people, that are built up. We could bury people 100 floors down. And a whole dead world could be underneath the living one.
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This movie is a difficult one to review. At times during the film, you are thinking it's terrible, other times, it's touching, at others, inspiring. There is so much tragedy here and so much that is hopeful. I will say this, when the movie closed and the lights came up, I just sat there, thinking about things I'd seen, things I still wondered about, scenes that were perfect and those that weren't, questions that were answered and those not quite enough. Over all, I'd say I'm glad I watched this one. I can't say it's one I'm going to want to buy. It was interesting that of the four of us who went together to see this picture, all had different parts that affected us the most. For many of us, bringing ourselves to watch anything that had to do with 9/11 is still too painful to really be excited about. It's still too freshly seared into our minds. Maybe always will be. This one, at least, didn't slam the viewer over the head with too many visual details .there were as many as had to be, to present the movie. I think this is one you should see if only to decide for yourself what feelings you are left with. Excellent casting by the way.
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