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The Brave One (2007)

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Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.

Director:

Neil Jordan

Writers:

Roderick Taylor (screenplay), Bruce A. Taylor (screenplay) | 3 more credits »
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Popularity
3,713 ( 1,122)
Nominated for 1 Golden Globe. Another 1 win & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jodie Foster ... Erica Bain
Terrence Howard ... Detective Mercer
Nicky Katt ... Detective Vitale
Naveen Andrews ... David Kirmani
Mary Steenburgen ... Carol
Ene Oloja Ene Oloja ... Josai
Luis Da Silva Jr. ... Lee
Blaze Foster ... Cash
Rafael Sardina ... Reed
Jane Adams ... Nicole
Gordon MacDonald Gordon MacDonald ... Murrow
Zoë Kravitz ... Chloe
John Magaro ... Ethan
Victor Colicchio Victor Colicchio ... Cutler
Jermel Howard ... Thug on Subway
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Storyline

David Kirmani,a medical professional, lives in an apartment with his sweetheart, Erica Bain, a radio host, and his dog. They usually take the dog out for a stroll in nearby Central Park and let him run and fetch. One day while at the park they let the dog run without a leash, and when he does not return or respond to their calls, they frantically search for him. They eventually find him being held by three men who want a reward. When David refuses, they start to molest Erica and David intervenes. Two of the men assault the couple, while the third uses a camcorder to film this incident. Erica is knocked unconscious, and regains her senses several days later in a hospital. She is told the shocking news that David was killed and the dog is missing. A traumatized Erica returns home to try and regain her life. She also visits the police station but does not get much help. Fearful of a repeat of this type of incident, she gets an unlicensed gun and carries it with her all the time. One day ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Plot Synopsis

Plot Keywords:

dog | park | gun | detective | death | See All (253) »

Taglines:

How many wrongs to make it right?


Motion Picture Rating (MPAA)

Rated R for strong violence, language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 September 2007 (USA) See more »

Also Known As:

Valiente See more »

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Box Office

Budget:

$70,000,000 (estimated)

Opening Weekend USA:

$13,471,488, 16 September 2007, Wide Release

Gross USA:

$36,793,804, 29 November 2007

Cumulative Worldwide Gross:

$32,972,815
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

|

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Neil Jordan had never shot a movie in New York City before. See more »

Goofs

At the scene where the two thugs were killed in the subway wagon an officer picks up a spent casing, and states that it is a 9mm and was fired from an automatic weapon. You can't tell by the casing of a cartridge what kind of gun it was fired from, and, besides that, the officer mistakes the Kahr K9 for an automatic, when it is in fact a sub-automatic. See more »

Quotes

[first lines]
Erica: [voiceover, doing her radio show] I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
[...]
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Connections

Referenced in Unikal'noe pozdravlenie (2014) See more »

Soundtracks

Everybody Can You Feel The Vibe
Written by Frantic, C. Black and M. Breazza
Performed by Blade and Brezza
Courtesy of LoveCat Music
By Arrangement with Ocean Park Music Group
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Frequently Asked Questions

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User Reviews

Professional enough to fool some into thinking it is better than it is, but ultimately this is a basic and dodgy thriller that doesn't engage or thrill
9 November 2008 | by bob the mooSee all my reviews

Erica Bain is a talk-radio host in New York, specialising in spots that are close to poetry on various subjects. She has everything going for her in her career and also in her personal life as she prepares for her marriage to Dr David Kirmani. They are walking their dog in the park as they often do when their dog goes missing. They find it shortly after but a group of young men have found it already. They demand money for the dog back but it doesn't end there as they get more violent and begin beating the couple while another of the group films it. It is some time before Erica comes to in hospital – badly beaten and reeling from the news of David's death. Scared of the places she once loved, Erica gets an unregistered gun for protection but soon finds herself in situations where others would seek to hurt her. She reacts with the gun, killing three criminals in two incidents. While shocked by her behaviour, she is also remarkably calm.

The Brave One was a "big" film in regards posters and cinema coverage in the UK but yet none of the marketing really told me much about it and seemed to concentrate on the big names involved rather than content. I'm sure there were trailers that did it well that I didn't see but to me the impression was of a film that didn't seem sure how to sell itself to the audience. It LOOKED liked it was just a modern version of Death Wish but the presence of Foster made me hope that it would be more – not to mention the polished looks, big budget and Hollywood-feel. The film doesn't start in a way that would suggest that though as we are introduced to the "perfect" man in Foster's life, knowing that his sole function in the film is that he will die – which he does at the hands of "Bad Men™". After this we do get some tentative steps as Bain struggles with her fear and anger but, once she has her outlet the film doesn't look back.

The plot is straightforward all the way. The delivery suggests that it wants to come over as complex and deep but it is never anything of the sort and instead it is a surprisingly simplistic affair that is no better than Winner's original film. The motives of the characters are drawn in big blocks with no detail or finesse and, as a result, I was left uninterested and unconvinced by the characters – never really believing them. It plods along with its black/white politics to a conclusion that is a morally-murky cop-out that was only memorable for how "have my cake and eat it" it all was. I shouldn't have been that surprised though as this was in keeping with the whole film.

Foster tries her best but there is nothing for her to work with of interest and the material doesn't offer her complexity to explore or development to exploit. Instead she focuses on "looking intense" most of the time, perhaps hoping that in itself this will suffice (it doesn't). Conversely Howard just does this weird "softly complex" thing that brings just as much depth (or as little rather) to his character as Foster does to hers. The support cast all do as required – nobody stood out for reasons of performance but rather for their fame in other things (Lost's Andrews) or family (Lenny Kravitz's daughter Zoë).

The Brave One is all dressed up in its fancy clothes to look like a modern, thoughtful take on Death Wish. It even has big, award-winning stars at its helm to show that it is anything but sordid or simplistic. Problem is – nobody passed this message to the writers and the material is as morally dubious as it is basic. Money has clearly been spent and the film LOOKS good but ultimately it goes nowhere, offers little and has morals that are hard to take and don't even trying to argue that it is a grey area of complexity, instead making it all black and white. Professional enough to fool some into thinking it is better than it is, but ultimately this is a basic and dodgy thriller that doesn't engage or thrill.


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