Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a... Read allStruggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.
- Awards
- 1 win & 7 nominations total
Dennis L.A. White
- Thug on Subway
- (as Dennis White)
Laila Liliana Garro
- Shauna Nelson
- (as Julia Garro)
Featured reviews
I saw this film in a preview. It was the final production though. Jodie Foster is a great actress, I would give her 10 of 10 without hesitation. The story is a standard revenge-movie. But with Jodies amazing acting and a good director the standard story becomes interesting. It's like experience the whole thing through Jodies character. The bad guys gets a little bit stereotyped and shows almost no personalty other than violent temper. Well, it's easier to kill them then, I guess. The sens-moral of the film is "kill the bad guys". Yes, feels good on the white screen, but it would be the end of society if everybody did like these characters did. Jodie gets 10 and the story 5, so average is 7 which is my vote. Definitely worth watching.
"The Brave One," is a revenge film that is different then most revenge films. What director Neil Jordan does to separate this film from others is that he immerses the audience through the psychology and consequences when one decides to take the law into their own hands, rather then focusing on the killing spree and violence of other similar pictures.
In "The Brave One," Foster plays a radio talk show host, Erica in New York City and is caught up in the illusion of a safe, happy life. She's engaged to a handsome doctor, and carries a distinguished radio show, but all this crumbles into pieces after a fateful run in with punks in a park assault Erica and her fiancée, leaving Foster battered and bloody and her fiancée dead.
After Erica is in a coma for three weeks, the scars from the experience paralyze her emotions. Foster's raw emotion comes through in her acting with great strength, as we see this tidal wave of tragedy ruin her entire life. The city that she once loved now is seen as a dark, hostile, soulless environment as she sees the repressive pry on the weak and the law seems powerless to stop it. After failing at reaching detectives to help find her husbands killer, and her own fear for her safety, she decides to pick up a gun to protect herself.
Erica's own morality is changed forever, after she witnesses a man gunning down his wife at a connivance store. She begins to wallow and cry in fear, but her pain of her past causes her to act in anger as she guns the man down. The experience causes Erica to feel dignified and unafraid. She does not want to be an innocent, vulnerable bystander to the repressive anymore, and does not want to shy away from the repressive when they come across her.
The process of her road down to becoming an avenging angel is a slow digression, and witnessing her developing resistance towards injustice is very moving to watch. Most thrillers such as this one have plots that seem strained, but "The Brave One's" storyline gives much time for the viewer to understand Erica's emotions and the motives she chooses to signify them.
When Erica meets the detective investigating her case, she becomes fascinated with him, as she realizes that he is trying to put away a ruthless criminal who has escaped the law. To cover for her crimes, she displays interest in him through her work as a DJ and interviews the detective, played by Terrance Howard. This makes for another interesting storyline in the film. She asks him, "is there anything you can do to bring this man to justice?" His reply is, "yes, but it wouldn't be legal," Erica now decides to take the stance as a vigilante, as she decides to bring this ruthless criminal to justice herself.
Erica now becomes ensnared in the endless battle between law and justice through trying to realize where they actually diverge. Foster carries vulnerability in the film but also strength and diligence. Emotional resonance from characters that are real and relatable are hardly seen in film, giving most films a dry and unauthentic look. But Foster engrosses us in Erica's soul. Few actresses can pull off a role like Erica in film today, but Foster stands alone as one of the best character actors's working today.
The film poses controversial questions to the soul rightness of conducting vengeance on those who impart their control and power on others. How can justice prevail when the good do nothing? This question, as well as many more, is raised and the audience is left to discover their own answers on morality.
In "The Brave One," Foster plays a radio talk show host, Erica in New York City and is caught up in the illusion of a safe, happy life. She's engaged to a handsome doctor, and carries a distinguished radio show, but all this crumbles into pieces after a fateful run in with punks in a park assault Erica and her fiancée, leaving Foster battered and bloody and her fiancée dead.
After Erica is in a coma for three weeks, the scars from the experience paralyze her emotions. Foster's raw emotion comes through in her acting with great strength, as we see this tidal wave of tragedy ruin her entire life. The city that she once loved now is seen as a dark, hostile, soulless environment as she sees the repressive pry on the weak and the law seems powerless to stop it. After failing at reaching detectives to help find her husbands killer, and her own fear for her safety, she decides to pick up a gun to protect herself.
Erica's own morality is changed forever, after she witnesses a man gunning down his wife at a connivance store. She begins to wallow and cry in fear, but her pain of her past causes her to act in anger as she guns the man down. The experience causes Erica to feel dignified and unafraid. She does not want to be an innocent, vulnerable bystander to the repressive anymore, and does not want to shy away from the repressive when they come across her.
The process of her road down to becoming an avenging angel is a slow digression, and witnessing her developing resistance towards injustice is very moving to watch. Most thrillers such as this one have plots that seem strained, but "The Brave One's" storyline gives much time for the viewer to understand Erica's emotions and the motives she chooses to signify them.
When Erica meets the detective investigating her case, she becomes fascinated with him, as she realizes that he is trying to put away a ruthless criminal who has escaped the law. To cover for her crimes, she displays interest in him through her work as a DJ and interviews the detective, played by Terrance Howard. This makes for another interesting storyline in the film. She asks him, "is there anything you can do to bring this man to justice?" His reply is, "yes, but it wouldn't be legal," Erica now decides to take the stance as a vigilante, as she decides to bring this ruthless criminal to justice herself.
Erica now becomes ensnared in the endless battle between law and justice through trying to realize where they actually diverge. Foster carries vulnerability in the film but also strength and diligence. Emotional resonance from characters that are real and relatable are hardly seen in film, giving most films a dry and unauthentic look. But Foster engrosses us in Erica's soul. Few actresses can pull off a role like Erica in film today, but Foster stands alone as one of the best character actors's working today.
The film poses controversial questions to the soul rightness of conducting vengeance on those who impart their control and power on others. How can justice prevail when the good do nothing? This question, as well as many more, is raised and the audience is left to discover their own answers on morality.
"I think someone should just take this city and just... just flush it down the f***in' toilet", says Travis Bickle (Robert De Niro), in "Taxi Driver". He wants to protect the young prostitute Iris (Jodie Foster) from some pigs, and give her a better future. 31 years later, Iris is a popular radio host whose fiancé (Naveen Andrews) is killed in a random attack. She decides to avenge him, and other helpless people, with her own hands.
If not for Jodie Foster's presence, I probably wouldn't bother watching "The Brave One" (even though I admire most of Neil Jordan's films). It's easy to call this a morally sick movie, because that's what is... but it's not sicker than any other bloody action thriller out there. Watching a "fragile" woman like Foster becoming Charles Bronson in skirts is both entertaining and (questionably) gratifying. Who's never fantasized: what if I could just kill all the scum around me? Like "Falling Down" and so many other flicks, "The Brave One" appeals to our lower instincts, and - mildly - makes us imagine what would we do in Jodie's shoes, and how "simple and satisfying" it'd be just to kill them all. That'd be the easiest, quickest 'solution' to our nightmares, and on a second look, that's not as sick as we'd think... just desperate and cathartic.
Far from being a great movie or intellectually instigating as, say, "Dogville", "The Brave One" is worth seeing for Jodie's performance and for its unapologetic badassery in times of false, excessive morality. 6.5/10.
If not for Jodie Foster's presence, I probably wouldn't bother watching "The Brave One" (even though I admire most of Neil Jordan's films). It's easy to call this a morally sick movie, because that's what is... but it's not sicker than any other bloody action thriller out there. Watching a "fragile" woman like Foster becoming Charles Bronson in skirts is both entertaining and (questionably) gratifying. Who's never fantasized: what if I could just kill all the scum around me? Like "Falling Down" and so many other flicks, "The Brave One" appeals to our lower instincts, and - mildly - makes us imagine what would we do in Jodie's shoes, and how "simple and satisfying" it'd be just to kill them all. That'd be the easiest, quickest 'solution' to our nightmares, and on a second look, that's not as sick as we'd think... just desperate and cathartic.
Far from being a great movie or intellectually instigating as, say, "Dogville", "The Brave One" is worth seeing for Jodie's performance and for its unapologetic badassery in times of false, excessive morality. 6.5/10.
This was entertaining. Sure, one can't help but draw comparisons and think back to the most famous vigilante film of all time: "Death Wish," but this film stands on its own story. No, it's not "Death Wish," but it ain't far from it, storywise. It's different enough to keep us guessing what "Erica" will do next so, in that regard, it's good value for your entertainment dollar, particularly if you enjoy film noirs. This would be labeled a "neo noir" today.
I was a little skeptical about Jodie Foster playing a Charles Bronson-type shooter, but she pulled it off convincingly. The difference in "Erica Bain" and Bronson's "Paul Kersey" was minimal except she seemed to be more depressed over who she had become, once she started killing.
Foster, by the way, shows no signs of slowing down as an actress and this was a juicy role for her.
But don't be misled by this film's screenplay or by Hollywood standards of morality, as they have very little. The fact is, as shown in this film, this woman quickly turns into a killer, a murderer, if even if it was scumbags she was killing, it doesn't justify her actions and, deep inside, she knew it. (It sure is satisfying, though, in a real base sense!)
The ending a little UNsatisfying to a number of reviewers, both here and in national publications. That's all I will say on that, as I don't want to spoil anything for readers who haven't seen the movie. You make up your own mind what you think of it, and the message it conveys.
Suffice to say, if you're looking for an entertaining neo noir, one that serves up your thirst for vengeance a la "Death Wish," this is one to check out at your local rental store.
I was a little skeptical about Jodie Foster playing a Charles Bronson-type shooter, but she pulled it off convincingly. The difference in "Erica Bain" and Bronson's "Paul Kersey" was minimal except she seemed to be more depressed over who she had become, once she started killing.
Foster, by the way, shows no signs of slowing down as an actress and this was a juicy role for her.
But don't be misled by this film's screenplay or by Hollywood standards of morality, as they have very little. The fact is, as shown in this film, this woman quickly turns into a killer, a murderer, if even if it was scumbags she was killing, it doesn't justify her actions and, deep inside, she knew it. (It sure is satisfying, though, in a real base sense!)
The ending a little UNsatisfying to a number of reviewers, both here and in national publications. That's all I will say on that, as I don't want to spoil anything for readers who haven't seen the movie. You make up your own mind what you think of it, and the message it conveys.
Suffice to say, if you're looking for an entertaining neo noir, one that serves up your thirst for vengeance a la "Death Wish," this is one to check out at your local rental store.
A genre movie directed by an artist, Neil Jordan in this particular case. That is a formula that sometimes works and sometimes doesn't. This time does, big time and I suspect it has to do with the artist behind the camera leaving the artist in front of the camera to her own devices and we all know that Jodie Foster's devices can be miraculous sometimes. The anguishing feel of solitude permeates Jodie's performance that's why I imagine Neil Jordan leaving her alone. Her decisions, I mean the character's and the actress's, seem to have been taken without consulting anyone. They are as pure as they are insane. I predict Miss Foster will be up for her third Oscar unless a miracle happens in the next three months. Well done!
Storyline
Did you know
- TriviaJodie Foster made $15 million for this, the most she's been paid for any movie.
- GoofsThe closing credits list the wedding invitation lady as "Stationary Saleswoman", but "stationary" means "not moving". The word that means paper and envelopes is "stationery".
- Quotes
Elevator Man #1: Gross. Who's he gonna shoot next, Donald Trump?
- ConnectionsFeatured in HBO First Look: The Brave One (2007)
- SoundtracksYou Don't Know Me
Written by Eddy Arnold and Cindy Walker
Performed by Elvis Presley
Courtesy of The RCA Records Label
By arrangement with Sony BMG Music Entertainment
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Valiente
- Filming locations
- 183 Grand Street, New York City, New York, USA(Jovino Gun Shop where Erica buys a weapon)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $70,000,000 (estimated)
- Gross US & Canada
- $36,793,804
- Opening weekend US & Canada
- $13,471,488
- Sep 16, 2007
- Gross worldwide
- $69,787,394
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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