Struggling to recover emotionally from a brutal assault that killed her fiancé and left her in a coma, a radio personality begins a quest for vengeance against the perpetrators that leaves a bloody trail across New York City.
Erica Bain is a happy radio host from a city she loves and with a fiancé she adores. However, a brutal attack in New York's Central Park changes her life forever, leaving her in a coma for 3 weeks and her fiancé dead. In an attempt to feel safer after the attack, she buys a gun. However New York does not feel the same as it did anymore and Erica has several encounters where she is not afraid to use her new gun. Everyone is talking about a vigilante and Erica is forced to talk about them too on her radio show...Written by
Abby
Production designer Kristi Zea gave Erica's apartment the look of a renovated tenement building. See more »
Goofs
At the scene where the two thugs were killed in the subway wagon an officer picks up a spent casing, and states that it is a 9mm and was fired from an automatic weapon. You can't tell by the casing of a cartridge what kind of gun it was fired from, and, besides that, the officer mistakes the Kahr K9 for an automatic, when it is in fact a sub-automatic. See more »
Quotes
[first lines]
Erica:
[voiceover, doing her radio show]
I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
[...] See more »
I Can't Get Next to You
Written by Norman Whitfield (as Norman J. Whitfield) and Barrett Strong
Performed by Al Green
Courtesy of Hi Rercords
Under license from EMI Film and Television Music See more »
A genre movie directed by an artist, Neil Jordan in this particular case. That is a formula that sometimes works and sometimes doesn't. This time does, big time and I suspect it has to do with the artist behind the camera leaving the artist in front of the camera to her own devices and we all know that Jodie Foster's devices can be miraculous sometimes. The anguishing feel of solitude permeates Jodie's performance that's why I imagine Neil Jordan leaving her alone. Her decisions, I mean the character's and the actress's, seem to have been taken without consulting anyone. They are as pure as they are insane. I predict Miss Foster will be up for her third Oscar unless a miracle happens in the next three months. Well done!
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A genre movie directed by an artist, Neil Jordan in this particular case. That is a formula that sometimes works and sometimes doesn't. This time does, big time and I suspect it has to do with the artist behind the camera leaving the artist in front of the camera to her own devices and we all know that Jodie Foster's devices can be miraculous sometimes. The anguishing feel of solitude permeates Jodie's performance that's why I imagine Neil Jordan leaving her alone. Her decisions, I mean the character's and the actress's, seem to have been taken without consulting anyone. They are as pure as they are insane. I predict Miss Foster will be up for her third Oscar unless a miracle happens in the next three months. Well done!