Duelist

I cannot feel the love betwen them, but i love the action scenes

I'm giving it 10 partially because its score is so low. The film, from what I know, was received as poorly in Korea also. I suppose it's not for everyone, although I think it's possible if one watches it one more time. When I first watched it, I hated it. It was boring, weird, and never seemed to end. but then, I felt cheated for paying for it (I watched it online.. small screen, still paid for it..) so I watched it again cuz I could re-watch it within 6 hours or something like that. And now I have the DVD.

This movie is very unkind to people who are used to traditional story-telling format in movies. We (at least I) usually want to hear things out loud. Have things explained to us. I didn't know before, but I guess we must depend a lot on the dialogues.

At first I hated some parts with its echo effects and how everybody would sing-song a line or divide them into neat parts as they would NEVER do in real life. It was hard for me to understand (and I'm more of a Korean speaker. Later I watched the DVD with the Korean subtitle on;;;) and very annoying. You don't get much of the storyline by listening to what they say. A lot of things happen that can only be seen and much emotion is conveyed through the actions/movements of the visual items on the screen (including the actors and actresses, of course) instead of being delivered straight forward in narrative 'words' to our ears.

On my first viewing I thought the film doesn't show enough convincing evidences or hows or whys of the main characters falling in love. It seemed unreal and to happen so fast that I felt they were getting away by themselves, leaving the audience behind.

But on the second viewing, it touched me much more than at the first time. I could feel how the characters felt and acted, how their feelings changed throughout the passage of the movie. Those things no longer unconvincing to me. This time, I was with them. I felt what they felt. (as opposed to just knowing what I'm "supposed to" feel) And after my second viewing, I could say this is a very emotional film. (not boring.) A lot of people accused the director of being conceited and just showing off how pretty he can make the screen look, but not trying to communicate with the audience.

But there was also a sector(?) of mania fans who viewed the film over and over again, raved about it, protested for a second viewing in the theaters. (cuz the movie was out of the theaters quickly for not making much money.) I think the reason is 1) the way of story telling was something that most people were familiar with. They were expecting something else. And 2) Maybe it just is a film that needs a bit more concentration or work from the audience. (more active participation?) Maybe one does need a second viewing to enjoy/appreciate it more. (but I've heard of people who loved it instantly on the first viewing. Maybe I just didn't concentrate or look for the right things?) Well. I own the DVD now. and I don't buy lots of dvds. Actually it was the first DVD I ever purchased. (although I still haven't finished viewing all the supplemental features;;) and the second one was this k-drama series. and now I want to buy the movie Bittersweet on DVD. (or is it Bittersweet Life? Don't know the exact English title.) I just wanna say that for those who really hated it and thought it was boring the first time they watched it, give it another chance if you ever get around to it. The chances are, you are not gonna regret it and will grow to love it like I did. (I think it improves upon repeated viewings. You see things you didn't see before every time you watch it again. the movie has lots of symbolism that's fun to try to figure out.) Hm. that was kind of a long review. but really, it's quite a lovely film, I think. ^^

I saw this movie in the Pusan International Film Festival. Director Myung-se Lee said it is the third edition, after the screening. Maybe, it was post-Toronto & Vancouver Festival Version.

The image is so beautiful. Films which shoot in front of blue screen (a lot of CG) won't have this charm. Costume and architecture of the Lee Dynasty are interesting, too. I wasn't bored one minute. I felt two hours short.

I think that the casting is a big success. Ji-won Ha performs the sometime-funny role of female detective Namsoon greatly. Sung-kee Ahn gives the tone to this movie. And, mysterious Sad Eyes, nobody will be able to do excluding Dong-won Kang.

Selection of music makes this movie not sophisticated. At this point, it looks like Lee's previous work "Nowhere to hide-Injeong sajeong bol geot eobtda-". (However, selection of music might be a charm of the Lee works!)

I praise that all characters are solitude and independent. I saw a number of Korean movies and dramas, there are a lot of works of complex story based on the family relation and the sickness. In this movie, a simple story permits intoxicating it beautifully of the image.

The pronunciation of Japanese well known tanka is incorrect. I expect it to be corrected before screening in Japan.

You're probably wondering what the heck my title means.

There's a memorable scene where the soundtrack features a hard rock thrash song and a quiet piano sonata ...playing simultaneously! How the audio engineer pulled this off without it sounding like a train wreck is beyond me. But you can distinctly make out the two clashing pieces of music.

The whole movie is much like this phenomenon. First of all, it boldly crosses the line between "art house" and "martial arts flick". If you're looking exclusively for either, you'll be disappointed. But if you're sharp enough to follow the jumps, you'll love this picture.

Almost every other reviewer has criticized the plot for being too thin. I think they're missing the point. The classic Japanese film SEVEN SAMURAI can also be said to have a weak plot, if you're get right down to it. But the point is not to look for an intricate Alfred Hitchcock weave; the point is to enjoy how expertly the visuals can bring a fairy tale to life. And this is a great fairy tale, at times leaving you wondering what is a dream and what is real.

And then suddenly you're holding your sides because you're laughing so hard at the comic routines. Like I said, this film mixes it all. You gotta be quick to keep up.

Visually, I can't praise this film enough. Vivid colours, smooth camera motion, graceful movements (to the point where a mob scene looks choreographed) and gorgeous sets give this movie a fantasy quality that few directors have been able to achieve. And the computer animation (if even there was much at all) was not noticeable, unlike a lot of modern films that use CGI for everything. Instead, the director uses very creative lighting and shadows to accentuate the swordplay. At times it looks like a Star Wars light sabre duel, but so realistic.

Enjoy this film for what it is. Expect nothing, drop all preconceived notions, and I guarantee you'll have a great time.

Oh, I also thought I'd mention... no nudity or gratuitous sex, no blood splattered across the screen, no animal cruelty. Fun for everyone.

I saw this film at the opening night of the Hawaii International Film Festival, as an unannounced special screening. Outrageously colorful and stylized, it's a tale of a girl trained as a sword-fighter who works as a cop, and a mysterious masked swordsman who may or may not be in league with a gang who is flooding the country with counterfeit money. The plot is confusing enough, but it really doesn't matter: it's just an excuse for some amazing set- pieces involving crowds of sword-fighters, fighters chasing through markets and dye factories, barroom brawls, and over the top humor. And swordplay as foreplay. Not likely to get a US release, but a lot of fun. Modern Korean cinema, in my opinion, is leading the world in terms of set and scenic design, and innovative cinematography. Catch this film to see what I mean.