6.4/10
630
7 user 12 critic

Diary of June (2005)

Yu-wol-ui il-gi (original title)
On their chase of a serial killer two cops find a diary in which all committed murders and many more to come are predicted.

Director:

Kyung-Soo Im

Writers:

Kyung-Soo Im, Man-Hee Lee (screenplay) (as Man-hui Lee) | 1 more credit »
Reviews
1 nomination. See more awards »

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Cast

Credited cast:
Ki-beom Jang Ki-beom Jang
Ji-min Kim Ji-min Kim
Kkobbi Kim ... Young Yoon-Hee
Yunjin Kim ... Seo Yun-hee (as Yoon-jin Kim)
Yu-su Lee Yu-su Lee
Se-chang Maeng Se-chang Maeng
Eric Moon ... Kim Dong-wook (as Jeong-Hyeok Mun)
Eun-Kyung Shin Eun-Kyung Shin ... Chu Ja-young
Hyeon-ji Yu Hyeon-ji Yu
Ju-sang Yun Ju-sang Yun
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Storyline

Two teenagers joining the same class in a high school die on the same day. The one to be top of the class is killed by a big knife on the street, the other - the second best of the class indeed - seems to be jumped from the top of the school building. Everybody believes that he first killed his classmate and than himself. But when the police finds small pill boxes into the stomachs of both kids confessing their murder two South Korean cops are torn into a new case of murder series. While they try to hunt down the serial killer, more pupils are getting killed... Written by FloX Hilgers

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

Certificate:

See all certifications »

Parents Guide:

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Details

Official Sites:

Official site [South Korea]

Country:

South Korea

Language:

Korean

Release Date:

1 December 2005 (South Korea) See more »

Also Known As:

Bystanders See more »

Filming Locations:

Busan, South Korea See more »

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Box Office

Cumulative Worldwide Gross:

$3,867,958
See more on IMDbPro »

Company Credits

Production Co:

Cinewise Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »

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User Reviews

 
A thriller not so conventional
26 February 2012 | by jose_moscardoSee all my reviews

I think that one of the main differences between Asian and Western cinematographies is that the first ones mix genres more widely than the second ones. The result is that Eastern movies use not to be so predictable as Western films, and this is applicable to commercial titles too. South Korean movies are a good example of this miscellany. Concretely, in "Diary of June" or "Bystanders" ("6-wol-eui Il-gi" is its original title) we can find the typical thriller about a group of cops trying to catch a serial killer, a buddy movie with some touches of comedy, and specially in the last 30 minutes a very intense drama that made me remember the dark social connotations of the Japanese "Confessions". This cocktail of genres is always welcome if script and direction can keep the balance between the elements. Just like a cocktail, that it will be a good one if the ingredients have been mixed and shaken in the right proportion. Fortunately, many Korean movies succeed in this and "Diary of June" is not an exception. As a thriller, it keeps the necessary suspense during its first half. Later the identity of the killer won't be a mystery, but the reason is not a flaw of the script. That's because, since then, the social drama acquires more importance than the criminal investigation. Like "Confessions", the target of the critic is the failure of the educational establishment (including passive teachers and well-intentioned but mistaken parents or relatives). Kids can be cruel, very cruel, but their cruelty is only a reflection of the cruelty (or just unhappiness) showed by adults in front of their astonished faces. We have a very big responsibility for the new generations and too much often we are not conscious of that. Every member of the cast, including the teenagers, is good. But specially Sin Eun-kyeong, as the tough but sensible female cop with her own personal demons, does great work. Well supported by Eric Moon, there is a good chemistry between their characters and some funny moments involving their superior officers. This film is not one of the best of South Korean cinematography (the competence is high) but it works and it goes beyond the simple entertainment thanks to its social message. Not a must see but I highly recommend it.


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