Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix.Written by
The soy sauce bottle on the table in the Chinese restaurant was not designed by Kenji Ekuan until 1961, ten years after Hail, Caesar! takes place. See more »
Ancient Rome. Twelve years into the rule of Tiberius, ruler maximus. Rome's legions are masters of the world, the stomp of its sandals heard from the Iberian peninsula in the west through the halls of the great library of Alexandria in the east. As oppressed people everywhere writhe under the Roman lash, freeman and vassal are united in one compulsory worship. The emperor, Caesar, is Godhead, lord of every man's body and spirit. For those who will not submit, the galleys, the arenas, even ...
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The movie's title "Hail, Caesar!" appears onscreen as the title of the biblical epic that Eddie is watching in dailies. See more »
Written by Waclaw Swiecicki (as V. Sventsistski) & Gleb Krzhizhanovsky (as G. Krjijanovsky)
Arranged by Boris Aleksandrov (as B. Alexandrov)
Performed by The Red Army Choir
Courtesy of Silva Screen Music America & FGL Productions See more »
It looks so good. Really, the feel of 1950s Hollywood has never been better, the photography is first rate with a stellar cast directed by the popular and very much held in esteem COEN BROTHERS. Trailer made it look like an fun Frank Capra kind of film. And when we walked out of it, given all the above, we missed something. A movie. There is none here. It is a great job made by talented people aplenty. It wants to be that fun film but never finds the movie. A few jokes. Not enough. Quirky fun characters, but not weird enough. Sublots aplenty, but they never run together and never are resolved. Good acting that goes nowhere. This fine film is just a bunch of dead end streets that are way too short with really interesting stuff on the side of the road but no intersection.
Neil Simon was given script advice once that all the characters have to meet in the play AT LEAST ONCE. Here, none meet at all. They have the subplot and that is it. Ending was weak too. Meh.
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