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Hail, Caesar! (2016)

PG-13 | | Comedy, Drama, Music | 5 February 2016 (USA)
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A Hollywood fixer in the 1950s works to keep the studio's stars in line.

Directors:

Ethan Coen, Joel Coen

Writers:

Joel Coen, Ethan Coen
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Popularity
1,779 ( 288)

A Guide to the Films of the Coen Brothers

From Blood Simple to the new The Ballad of Buster Scruggs, we take a look at the offbeat stylings of Academy Award-winners Joel and Ethan Coen.

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Nominated for 1 Oscar. Another 12 wins & 40 nominations. See more awards »

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Cast

Cast overview, first billed only:
Josh Brolin ... Eddie Mannix
George Clooney ... Baird Whitlock
Alden Ehrenreich ... Hobie Doyle
Ralph Fiennes ... Laurence Laurentz
Scarlett Johansson ... DeeAnna Moran
Tilda Swinton ... Thora Thacker / Thessaly Thacker
Channing Tatum ... Burt Gurney
Frances McDormand ... C.C. Calhoun
Jonah Hill ... Joe Silverman
Veronica Osorio ... Carlotta Valdez
Heather Goldenhersh ... Natalie - Secretary
Alison Pill ... Mrs. Mannix
Max Baker ... Head Communist Writer
Fisher Stevens ... Communist Writer
Patrick Fischler ... Communist Writer
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Storyline

Hail Caesar! Follows a day in the life of Eddie Mannix, a Hollywood fixer for Capitol Pictures in the 1950s, who cleans up and solves problems for big names and stars in the industry. But when studio star Baird Whitlock disappears, Mannix has to deal with more than just the fix. Written by Warren D'Souza

Plot Summary | Plot Synopsis

Taglines:

Lights. Camera. Abduction.

Genres:

Comedy | Drama | Music | Mystery

Motion Picture Rating (MPAA)

Rated PG-13 for some suggestive content and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | Japan | USA

Language:

English

Release Date:

5 February 2016 (USA) See more »

Also Known As:

Hail, Caesar! A Tale of The Christ See more »

Filming Locations:

Los Angeles, California, USA See more »

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Box Office

Budget:

$22,000,000 (estimated)

Opening Weekend USA:

$11,355,225, 7 February 2016, Wide Release

Gross USA:

$30,080,225, 26 April 2016

Cumulative Worldwide Gross:

$62,429,013, 29 April 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | Datasat

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Cast and crew of James Franco's TV pilot L.A. Series (2016) were shuttled to and from the lot sound stages during the simultaneous filming of Hail, Caesar! (2016). See more »

Goofs

The wristwatch Josh Brolin's character wears changes between close-up shots, when it is hexagonal, and long shots, when it is rectangular. See more »

Quotes

DeeAnna Moran: Hey, Maxie, bring me my ass back!
See more »

Crazy Credits

At the end of the closing credits there is a disclaimer that reads "This motion picture contains no visual depiction of the godhead." See more »

Connections

References Reap the Wild Wind (1942) See more »

Soundtracks

Glory of Love
Written by Billy Hill
Performed by Alden Ehrenreich & Veronica Osorio
See more »

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User Reviews

 
Worth a Shot for Cohen Brothers Fans
19 February 2016 | by svorvaSee all my reviews

My cohort fell asleep during Hail, Caesar!. Sure, it was a late showing, but I am sure in theaters around the country people are nodding off or walking out of this one. Let them. Caesar! barely has a discernible plot, profound themes, or even a convenient ah-ha moment. But we should be used to this by now, this is typical Cohen brothers' affair. Caesar! is a waltz with insanity, sacrificing many crutches that helps audiences engage. This film will not garner popular approval, but it is still an accomplishment.

If there is a plot in Hail! Caesar, Eddie Mannix is certainly at its center. This Catholic studio head must right the ship or face catastrophe. The film is a 48 hour window of insight into a Hollywood studio, the setting for Mannix's everyday mad life. What he experiences is basically a relentless barrage of vignettes and personalities. There is a western, musicals, a costume drama, and of course the historical epic itself. Each has its style, director, crew, and most importantly its stars. The sheer density of material is somewhat overwhelming. All display are equally elaborate, including the cast, which is recognizable down to the bit parts. This is one of the best ensemble performances in recent memory. Tatum and McDormand are my personal favorite parts, but all are enjoyable. Additionally, I would bet this is the first Oscar candidate for cinematography. What will disappoint some audiences is the lack of follow up or exploration. Ideas and themes are introduced and later simply hinted at. Premium cameos are often utilized just once, lucky characters thrice at best. Some may think parody requires more extensive analysis. However, Hail! Caesar is ripe with commentary, it just never stops to take a breath. The humor is not rooted in scrutiny, rather in the absurdism and frantic pace. This style does not even prevent momentary poignancy. Hail! Caesar's climax is a parody of sappy overwrought moments of clarity, but there is a sense of a genuine moral, a true stance on faith, movies, and reality. I will certainly rewatch this film again. Remember, The Big Lebowski was not a hit on arrival. I fear comparing the two, but I feel both were smarter, more extensive, and subtly funny in ways not obviously apparent. I might just be trying too hard to hawk this movie in order to convince myself, but I sincerely think it is worth a viewing for those who have previously appreciated the Cohen Brothers body of works.


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