On improvising a burglary at a shady tycoon's home, Fred takes refuge in the hip and surreal universe of the Paris Metro and encounters its assorted denizens, the tycoon's henchmen and his disenchanted young wife.
André, a small-time ex-convict, seems to owe money to everyone in Paris, including a crime boss who promises to kill him if he doesn't repay him by midnight. After failing to find protection from the American embassy and the French police, a despairing André scrambles onto a bridge over the Seine, intending to leap to his death. He is surprised to see a tall, beautiful girl clinging to a rail on the same bridge, apparently preparing to end her life as well. She jumps, and he jumps too, suddenly resolving to save her life. After scrambling ashore, she tells him her name is Angel-A. Together, they take a cruise on the Seine, repay André's creditors, visit a Parisian nightspot, and more, as Angel-A helps André. He learns that for this purpose she has fallen out of the sky and into his life. André finds himself falling in love with this mysterious beauty.Written by
A beautiful, breathtakingly shot movie with a touching storyline. Besson often talks about his feminine side, and he is in full touch with it here. Those expecting another Nikita with lots of guns and car chases should look elsewhere. I'm sure they will find at least 10 other movies like that now in the multiplex, but nothing like this. Serious Besson fans will not be disappointed. Besson has filmed a Paris that is at the same time both beautiful and real. We see the beauty of Notre Dame, Parisian cafés, the city's bridges, but we also see its ugliness and the difficulty faced by those who do not fit the stereotype of what it means to be French. Anyone who has ever felt like a stranger in their own home will find a kindred spirit in Andre. It is a struggle to fit into a culture and a struggle to value one's self as a part of it.
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