On improvising a burglary at a shady tycoon's home, Fred takes refuge in the hip and surreal universe of the Paris Metro and encounters its assorted denizens, the tycoon's henchmen and his disenchanted young wife.
André, a small-time ex-convict, seems to owe money to everyone in Paris, including a crime boss who promises to kill him if he doesn't repay him by midnight. After failing to find protection from the American embassy and the French police, a despairing André scrambles onto a bridge over the Seine, intending to leap to his death. He is surprised to see a tall, beautiful girl clinging to a rail on the same bridge, apparently preparing to end her life as well. She jumps, and he jumps too, suddenly resolving to save her life. After scrambling ashore, she tells him her name is Angel-A. Together, they take a cruise on the Seine, repay André's creditors, visit a Parisian nightspot, and more, as Angel-A helps André. He learns that for this purpose she has fallen out of the sky and into his life. André finds himself falling in love with this mysterious beauty.Written by
I'm not a fan of the french cinema, but I liked the movie. I liked all the strange ideas of Luc Besson - there are no car-chases, no explosions, just a romantic drama.
The scenario, the cast, the play of the actors (the role of the nervous Andre is hard to be played, but Jamel Debbouze is a great choice, just like Rie Rasmussen with her infinite legs)...
It was too interesting for me that the film was shot early the morning, when the streets are empty and Angel-A and Andre are all alone in the beautiful black-and-white Paris (and world). If you don't like the movie, you can just relax and take an almost real voyage in Paris.
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