A petty thief is gunned down in an alley and a Representative's assistant (Maria Thayer) falls in front of a subway, two seemingly unrelated deaths. But not to wisecracking, brash newspaper reporter Cal McAffrey (Russell Crowe), who spies a conspiracy waiting to be uncovered. With a turbulent past connected to the Representative and the aid of ambitious young rookie writer Della Frye (Rachel McAdams), Cal begins uprooting clues that lead him to a corporate cover-up full of insiders, informants, and assassins. But as he draws closer to the truth, the relentless journalist must decide if it's worth risking his life and selling his soul to get the ultimate story.Written by
The Massie Twins
Brad Pitt and Edward Norton originally signed on for this movie that would have reunited them for the first time since Fight Club (1999). However, Pitt pulled out before Thanksgiving 2007, when re-writes were made impossible because of the writers' strike. He was replaced by Russell Crowe. Pitt's departure delayed the start of shooting, and made Norton unavailable, as he was committed to start shooting Leaves of Grass (2009) in January. He was replaced by Ben Affleck. See more »
While difficult to measure accurately, the film takes place over too short a period of time, for the action involved. From the dates on the newspapers, the timeframe appears to be 3 or 4 days maximum. Yet the evolving nature of the story, the amount of time required to track down leads, etc., probably would require much more time. See more »
Written by Gergely Nemeth, Zsolt Prieger
Performed by Anima Sound System
Courtesy of EMI Music Publishing Hungary on behalf of Anima Sound System See more »
Yesterday's News Still Blog-Worthy
A gruff old-school reporter (Russell Crowe playing his A-game) becomes personally entangled in a breaking news story surrounding his old college buddy turned congressman (Ben Affleck, not as bad as you would think) and a young female aid who died under mysterious circumstances in the surprisingly plausible political thriller "State of Play" from director Kevin MacDonald who was previously responsible for "The Last King of Scotland". Though designed as a throw-back to paranoid investigative thrillers from the 1970's, relevance is gained when the massive cover-up revealed becomes a vehicle for the filmmakers to explore the death of print news at the hand of digital mediums.
The twisty and engaging screenplay is credited to three scribes: Matthew Michael Carnahan, Tony Gilroy and Billy Ray. But it's Gilroy's fingerprints that shape the story with all the overlapping dialogue and conspiracy talk that will remind many of his "Michael Clayton". Adapted from a sprawling BBC miniseries created by Paul Abbott, the trio is especially deft in their condensing of the story into a fully digestible two hours. Even as new characters and twists keep coming, the audience is never left out in the cold. They also give the cast plenty to chew on with some great throw-away lines amidst all the posturing between the cops, reporters, politicians and sleaze-bags.
Though it's Crowe and Helen Mirren as his sparring and quick-witted boss who shine the most, this is essentially an ensemble piece, and it's especially clever when Jason Bateman arrives on screen for a few pivotal scenes as a smug public relations guru who's too dumb to realize he knows too much. The cast also includes Robin Wright Penn as Affleck's wife, Jeff Daniels as the arrogant majority whip and Harry Lennix, who as a D.C. detective makes a compelling case here for the lead role in the Barack Obama Story. The only miscalculation in the casting is poor Rachel McAdams, lovely but annoying in her high-pitch as Crowe's blogging tag-along looking to kick it old-school and get something in print.
By the third act "State of Play" overplays its hand in its attempts to be timely with too much talk of the privatization of the military, Capitol Hill sex scandals and traditional newspapers losing out in the digital age to bloggers more concerned with gossip than real journalism. It could've also been more subtle in its preaching about the importance of serious investigative reporting. It should be commended, however, for an otherwise smart screenplay that doesn't spell out all its twists and turns too early and the well polished cast who give the film a slick sheen. Even though it might be reporting on yesterday's news, "State of Play" still makes for solid rainy day entertainment and is worthy of blogging about.
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