Curse of the Golden Flower

Me and my girlfriend watched this in Guangzhou, China. It isn't exactly a feel-good movie..

It's hard to describe what this film does, without spoiling the movie. And that structure is it's strength. Suffice to say, this is a very strongly woven movie, a movie where direction and production are the stars.

And that is also "Curse of the golden flower"'s weakness. This is, after all, a movie. Moviegoers are used to seeing the full spectrum of a movie; varied scenery and ambiance, multiple stories, realistic characters, a realistic society portrait, and so on. Certainly, this movie has strong characters, but like the imperial court setting, they are puppets. They never change their directions, they are forced to play the drama. Most of the action happens on the same 3-4 scenes, with the same characters. Like an opera; stereotypic, but intensely dramatic and glorious.

That said, this movie had an effect on me, and as mentioned, it is very well crafted. Without a doubt, it shows Yimou Zhang's skills in his profession, and I do recommend it. But don't expect a "movie" in the classical sense, expect Greek tragedy or opera-style drama.

I had the pleasure of seeing this film with special personal appearances by Zhang Yimou and Gong Li... I have to say I was blown away by it! I was not expecting a story with such depth...The cinematography, the art direction, and the sheer enormity of the visuals were staggering. Great sword work... exquisite wire sequences... and HUGE battles - but all done with an intensity that's stunning. And even more, the acting was superb - Chow Yung Fat is a master, and his scenes together with Gong Li are beautifully emotional. Gong Li is more beautiful than ever in a role that demands huge range from the first scene and never lets up... She does her best work ever! I have nothing but praise for this film. I can't wait to see it again.

First of all, this is a commercial movie of period drama with some sort of martial arts in it. If you're looking for anything deeper, then it's not for you although the movie is loosely based on a masterpiece of play in China.

That being said, I think it's actually a nice movie.

Story: B The story line is nothing amazing but flows well although not devoid of a few confusions or loopholes. For the people who're not familiar with all the power struggle, backstabbing stories of Chinese royal families, some relationships and emotions may seem a bit too much. And it did actually get a bit overheated at certain point possibly for theatrical tensions. But overall, it made sense to me. My major complaint is that he could have cut out some of the side stories while allowing the major line to a fuller development.

Acting: B+ This movie focuses on Gong Li and she's a good actress. So, yes, she did a great job even though I wish it could have been toned down a bit. Chow Yun-fat is also good but his role is not as rich as hers. Liu Ye (crown prince) is adequate for his role and the character also has a limited range. Jay Zhou (the second son)is not quite up to par with the others (after all, he's not a professional actor). But he got better in the end.

Visuals: A- Actually, I wanted to give it a B+ but I awarded it a higher mark for being so daring. It does have tons of colors and shades in it. Most of time, they actually work out cool, at least for me. But I totally understand if someone finds it way over-the-top. I actually like the fact that ZYM used bright colors, only if he had used fewer kinds of them. Those fighting scenes didn't quite catch my attention not because they're no good. Actually they're proper and effective. But since I've seem so many martial arts movies, they did not bring any surprises to me

Overall, it's an entertaining movie with an understandable story and believable characters.

This is a highly charged docudrama epic, instead of the gladiator/hero-ish action flick its marketing led people to believe. With that said, this is a very gripping film, almost to the point of eerie realism, for those of us who are familiar with ancient royal family politics. Betrayal, back-stabbing, assassination, adultery, family tragedy,... everything that could go wrong in the the royal court happened, and were woven in a way that made the complicated plot that much more involving. More than once, I felt real tangible emotions as events with each character/turning point deepens the tragedy. The one aspect I don't like was the intensity of this film... its almost like watching films the likes of Saving Private Ryan... more like a stressful experience than simple entertainment.

However, if you go in expecting extravagant sword fights, kung-fu, battles, you are going to be disappointed.

Despite the millions of chrysanthemum flowers, ten thousand soldiers and three prominent male cast (Chow Yun Fatt, Jay Chou and Liu Ye), one thing will capture your attention. Make that two.

Gong Li and her titillating assets have almost overshadowed everything else in the movie. While it may not be historically accurate for 10th Century Tang Dynasty palace females to dress so scantily, director Zhang Yimou obviously wants to make a stylistic statement right from the opening scene.

His play with colours was apparent from Hero. Curse of the Golden Flowers presents a kaleidoscope in its grandeur palace setting and elaborate costumes. The final fighting scene lead by Prince Jai (Jay Chou playing Jay?) the prince with golden armored warriors trampling over chrysanthemum is nothing short of impressive.

Jay Chou had a difficult time playing Prince Jai, which required more complexity than a cool rider in Initial D. While emotional scenes with Gong Li drew some laughter from the audience, his final scene was noteworthy and articulation has improved.

Kudos goes to Chow Yun Fatt and Gong Li. Chow has improved on his accent tremendously (which was very strange in Crouching Tiger) and portrayed the Emperor with magnitude and hysterical outrage. Look out for the scene as the usually mild mannered Chow punishes his son with both rising temper and hair.

While the film obviously banks on Gong Li's bosoms, they shouldn't distract audience from her exceptional acting. It may be over-the-top at times, but she shows that nobody else can play this vengeful and solitary empress better than her. At this moment, she is the queen of the Chinese cinema.

The story of betrayal, illicit affairs, chilled relations and dysfunctional families may be run on the mill and overdone. Drawing parallels with The Banquet by Zhang Ziyi is inevitable. Both are about an obsessed empress who craves for a relationship with the prince (Interestingly, both well-known for playing gay roles) and demands for more power from the emperor.

Curse of the Golden Flower is not just soap drama but a period epic to impress with colours, opulence and sheer indulgence.

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