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Jiao zi (2004)

Not Rated | | Drama, Horror | 19 August 2004 (Hong Kong)
In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. ... See full summary »

Director:

Fruit Chan

Writer:

Pik Wah Lee (as Lillian Lee)
Reviews
2 wins & 2 nominations. See more awards »

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Cast

Credited cast:
Pauline Lau Pauline Lau ... Masseuse
Tony Ka Fai Leung ... Mr. Li (as Tony Ka-Fai Leung)
Bai Ling ... Mei, The Cook
Meme Tian ... Connie (as Meme)
So-Foon Wong So-Foon Wong ... Kate's mother
Miki Yeung Miki Yeung ... Kate
Miriam Chin Wah Yeung ... Mrs. Li
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Storyline

In Hong Kong, Aunt Mei is a cook famous for her home-made rejuvenation dumplings, based on a millenarian recipe prepared with a mysterious ingredient that she brings directly from China. The former TV star Mrs. Li visits Mei aiming her dumplings to recover her youth and become attractive again to her wolf husband Mr. Li. Along the sessions, Mei tells Mrs. Li that she was a gynecologist in China with more than 30,000 abortions along ten years. When Mrs. Li requests an acceleration of the process, the opportunity comes when a fifteen years old teenager with a five months incestuous pregnancy comes with her mother and asks Mei to make an abortion. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Genres:

Drama | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Hong Kong

Language:

Mandarin | Cantonese

Release Date:

19 August 2004 (Hong Kong) See more »

Also Known As:

Dumplings See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Spawned from the short Dumplings from the Asian cross-cultural trilogy Three... Extremes (2004). Includes the same director and star. See more »

Quotes

Mei, the cook: [first lines]
Mei, the cook: Mrs. Li? You're so beautiful.
Mrs. Li: They say your dumplings are the most expensive.
Mei, the cook: Of course! Please come in.
See more »

Connections

Edited from Saam gaang yi (2004) See more »

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User Reviews

 
Sick, funny, subversive, thought provoking.
6 April 2006 | by david-sanSee all my reviews

Sometimes you see a movie where (factual content and (emotional)effect are strongly in opposition to each other. For example, in 'Pulp Fiction' the content includes a lot of random and 'accidental' violence, even against totally innocent people, but the way it is portrayed prevents you from taking it seriously. It is like the violence in a cartoon such as 'Tom and Jerry'. It provokes laughter rather than disgust.

Dumplings is such a movie. It portrays a young (sort of) woman: 'aunt' Mei, who earns her living making dumplings that rejuvenate the eater, effectively giving him or her eternal youth, as long as they are regularly eaten. Now the catch is in the 'special ingredient'. I won't reveal what this secret ingredient is (although it becomes clear very early in the movie) but it is one of the sickest ingredients that I have ever seen, read about or heard of. The unique feature of this movie is that it is able to utilize this horrible element without becoming a movie that is either simply disgusting (like 'Braindead') or slapstick (such as 'Ichi the Killer'). On the contrary, it is actually a quite funny story about the interaction between Mei and her clients and about their increasing dependence on her dumplings.

But what makes the movie really worth it ( to me, at least) is social commentary that it includes. The real issue is not the 'special ingredient' of the dumplings, but the fact that people are so desperate for 'youth' that they're willing to do everything for it. In a society totally focused on the external norms (like wealth, beauty, and appearance) it is no surprise that the internal norms (like law, morals and compassion), atrophy and get discarded like a snake discards his old skin. This externalization of norms, however, is not criticized or punished, but rather advocated (by the film, not necessarily by its maker) as natural and acceptable, indeed inevitable. It is this highly subversive and thought-provoking element of the film that makes it truly worthwhile.


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