Frank Martin puts the driving gloves on to deliver Valentina, the kidnapped daughter of a Ukrainian government official, from Marseilles to Odessa on the Black Sea. En route, he has to contend with thugs who want to intercept Valentina's safe delivery and not let his personal feelings get in the way of his dangerous objective.
Mei, a young girl whose memory holds a priceless numerical code, finds herself pursued by the Triads, the Russian mob, and corrupt NYC cops. Coming to her aid is an ex-cage fighter whose life was destroyed by the gangsters on Mei's trail.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves.Written by
After Arthur strangles the arms dealer and he sets the laptop to play an erotic clip, he touches the computer with his hands not wearing gloves, leaving his fingerprints on it, which would implicate him. They also both touch the door while leaving. See more »
What I do requires a certain mindset. I do assignments; designated targets. Some jobs need to look like accidents. Others must cast suspicion on someone else. A select few need to send a clear message. Pulling a trigger is easy. The best jobs are the ones nobody even knows you were there.
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"Revenge holds the cup to the lips of another but drinks the dregs itself." Josh Billings
Don't waste your time cruising the internet for porn because if you see The Mechanic, you'll have all you need: violence as porn that is. Jason Statham stars as a "mechanic" or hit man caught in a tangle of deceit and revenge coming right down the line from his place of employment.
Statham,as Arthur Bishop, reprising the role of the granite Charles Bronson in 1972, is indisputably the star, even with partner pro-tem, Steve, being played by the very competent Ben Foster. Statham's scowl, punctuated by a slight smirk now and then, is the industry standard for good bad guy.
Early in his career I saw Statham in a café at Sunset Plaza in Hollywood; I knew immediately the Transporter—-scruffy beard, balding dome, and signature scowl.
The two hit men, not much like Butch Cassidy and the Sundance Kid (though when Statham and Foster jump from a building I couldn't help think of that romantic duo), are connected by the assassination of Steve's father (Donald Sutherland), who was also Bishop's mentor. After a series of barely connected set pieces of explosions and bullets, Steve is ready to deal with his dad's murderer, and Bishop is there to teach and corral the blood-thirsty avenger.
Although I enjoy Jason Statham's screen persona, with the lack of originality and a plot even I figured out early on, I am merely amused by this film's formulaic violence.
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