| Cast overview, first billed only: | |||
| Jason Statham | ... | Arthur Bishop | |
| Ben Foster | ... | Steve McKenna | |
| Tony Goldwyn | ... | Dean | |
| Donald Sutherland | ... | Harry McKenna | |
| Jeff Chase | ... | Burke | |
| Mini Anden | ... | Sarah | |
| James Logan | ... | Jorge Lara | |
| Eddie J. Fernandez | ... | Lara's Guard (as Eddie Fernandez) | |
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Joshua Bridgewater | ... | Car Jacker |
| John McConnell | ... | Vaughn | |
| Christa Campbell | ... | Kelly | |
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Joel Davis | ... | Husband |
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Mark Nutter | ... | Mr. Finch (as Mark Anthony Nutter) |
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Ardy Brent Carlson | ... | Bell Hop |
| Lara Grice | ... | Mrs. Finch | |
Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves. Written by Anonymous
An assassin's abilities are tested when he takes on an apprentice, but things get complicated when he finds he's been used on his last job.
Entertaining assassin/mentor yarn which tries to avoid clichés. Donald Sutherland puts in a welcomed cameo but is missed throughout the rest of the film. Jason Statham is hit man Arthur Bishop, while he can do these roles action roles blind folded Statham is subtler and more complex than most previous parts he's played. Ben Foster gives a hard hitting performance giving an edginess and weight to the character of Steve McKenna and corporate bad guy Tony Goldwyn is notable.
Some logic aside the Mechanic stands head and shoulders above the mass of recent cheap and big budget flicks due to it's 1973 source material, smart writing and Simon West's gritty direction. The wonderful locations give it an air of realism and the soundtrack complements the setups.
With some thought out character development, twists and well executed action scenes it's a pleasing above average hit-man thriller.