Notorious (2009)

The life and death story of Notorious B.I.G. (a.k.a. Christopher Wallace), who came straight out of Brooklyn to take the world of rap music by storm.

Director:

George Tillman Jr.

Writers:

Reggie Rock Bythewood, Cheo Hodari Coker

Stars:

Jamal Woolard, Anthony Mackie, Derek Luke

9 nominations.

Cast

Cast overview, first billed only:
Jamal Woolard	...	Christopher 'Biggie' Wallace
Momo Dione	...	Record Executive at Party (as Mohamed Dione)
Derek Luke	...	Sean 'Puffy' Combs
Dennis L.A. White	...	Damion
Marc John Jefferies	...	Cease
Menyone DeVeaux	...	Hot Girl #1
Christopher Jordan Wallace	...	Biggie (Age 8-13)
Ricky Smith	...	Wally
Amanda Christopher	...	Keisha
Angela Bassett	...	Voletta Wallace
Jasper Briggs	...	Damion (Age 8-13)
Cyrus Farmer	...	Selwyn
David Costabile	...	Mr. Webber
Julia Pace Mitchell	...	Jan
Jermaine Denny	...	Primo

Storyline

NOTORIOUS is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time; THE NOTORIOUS B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations - redefining our notion of "The American Dream."

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Plot Keywords:

death | gun | shot to death | drive by shooting | nightclub | 

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Taglines:

The story of the man behind the legend.

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Genres:

Biography | Crime | Drama | Music

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Motion Picture Rating (MPAA)

Rated R for pervasive language, some strong sexuality including dialogue, nudity, and for drug content

Details

Country:

USA

Language:

English

Release Date:

16 January 2009 (USA)

Also Known As:

Untitled Notorious B.I.G. Project

Filming Locations:

20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend USA:

$20,497,596, 18 January 2009

Gross USA:

$36,842,118

Company Credits

Production Co:

Fox Searchlight Pictures, Voletta Wallace Films, Bystorm Films

Technical Specs

Runtime:

122 min 128 min (unrated director's cut)

Sound Mix:

DTS Dolby SDDS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Marc John Jeffries who played Little Cease also played young Marcus in the movie Get Rich Or Die Trying, a movie based on the life of iconic rapper 50 Cent

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Goofs

Within a montage sequence of the Notorious B.I.G. becoming famous, one scene involves a group of kids jamming to B.I.G; the camera crew can be briefly seen from an apartment window on the left side of the screen.

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Quotes

Faith Evans: Are you a bad guy trying to be good, or a good guy trying to be bad?
Notorious B.I.G.: I'm just trying to make it big.

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Alternate Versions

The unrated cut features seven minutes of extended footage as well as an opening sequence involving the "Impala SS" killer.

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Connections

References Ri¢hie Ri¢h (1982)

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Soundtracks

Voodoo Hood
Written by Michael James Mani (as Mani)/Jordan J. Omley (as Omley)
Courtesy of Extreme Production Music

User Reviews

Looks good and covers a lot of ground but doesn't work as a dramatic film

The opinion on IMDb on this film seems to be pretty split and the reason appears to be because many are not writing their opinions of the film so much as they are reviewing Biggie and/or hip-hop itself. So the unquestioning 10* reviews rave about the man and his music, while the 1* reviews talk more about the aspects of the music and culture he represents than they do about the film. I was curious to see what the film was like on its own merits so I made an effort to see it recently. The truth of the matter that the film is "ok" but not anything more than that – and I say that as a hip-hop listener who likes more east coast than west coast.

The problem with the film is that it is far to driven by ticking boxes of people and events. As a result it doesn't flow so much as it does introduce people and things in a way that the audience will recognise. This is all well and good but it breaks up the film as a dramatic piece – for example with Lil' Kim, she is not allowed to just be part of the story, no, when she is introduced we even get a shot of her name badge so we can all be sure from the start as to who she is. It is like this with events as well, and the dialogue is surprisingly expositional in its nature with far too many characters seemed to be talking just for the sake of filling in blanks or moving to the next scene. As a sort of summary of Biggie's career this is fine I suppose but when it comes to caring about the characters then it does hurt it quite bad.

Not that the film is overly concerned with the characters because the events-driven script doesn't really have any. Before anyone messages me with insults, I can see that there are physically people on the screen there, doing and saying things as these people, but in terms of character development and depth there is none. Nobody ever feels real – partly because of the dialogue but also because the material doesn't give anybody room to develop. This is best seen in the "second-tier" characters such as Puffy and the many women in Biggie's life but it comes over differently with Biggie himself. Contrary to his musical personae, the film does not play up the negative side of Biggie's life too much. It cannot completely hide it though and we do get lots of infidelity and things like him happily selling crack to a pregnant woman. However all of these things tend to be deliberately cancelled out later on in some daft and unnecessary scenes. For example we get to see the crack user years later, fine and playing with her child (also fine) and of course much is put right by conversations, commitments and phone calls on the night that he gets killed. Such things damage the film further as both a record and as a dramatic film – I didn't want "warts & all" but an edge of realism and criticism (where warranted) would have been good.

It might be them or it might be the material but either way, the cast are not that great. Woolard does a solid impersonation of Biggie and deal well with the material but he has nowhere to go with his character other than the specifics of the scene – there is not a man inside his performance so much as an image of a man. Luke and Bassett are both very talented actors but neither gets to showcase that here – indeed Luke is only memorable for how well he nails Puffy's dancing style. Naughton's Lil Kim sticks in the mind for reasons other than her performance (although again as an impression it is good enough for here). Smith, Ringgold, Mackie and others just do the basics as the film gives them no other options.

The end result is a film that looks good and covers a lot of ground but doesn't work as a dramatic film. The people and events are there but they are only ever names and things that happen – never real people or events that come from the story. The cast turn in solid but not that good performances accordingly but nobody can raise it beyond what it is. Not "bad" generally but just really lacking over what I would have expected from a biopic.