A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.A rag doll that awakens in a postapocalyptic future holds the key to humanity's salvation.
- Director
- Writers
- Stars
- Awards
- 9 nominations total
Elijah Wood
- #9
- (voice)
Jennifer Connelly
- #7
- (voice)
Crispin Glover
- #6
- (voice)
Christopher Plummer
- #1
- (voice)
Martin Landau
- #2
- (voice)
John C. Reilly
- #5
- (voice)
Fred Tatasciore
- #8
- (voice)
- …
Alan Oppenheimer
- Scientist
- (voice)
Helen Wilson
- News Caster
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I don't know how much of a market there is for animated films like this but as someone who appreciates good artwork and computer animation, I enjoyed it. Yeah, the story is only so-so but the characters keep your attention - both good and bad guys, and it is deceptively involving.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
The "good guys" in here are burlap-looking sewn puppets. Why they are who they are is explained near the end of the movie. The "bad guys" are the machines. Yes, this is familiar "Terminator" country, theme-wise, but the machines in this movie are brutal and scary. This movie is definitely not for little kids!
If you keep your expectations in the "fair" range, and watch it on Blu-Ray, you should enjoy it. As mentioned, the story draws you in. On the other hand, if you are looking for something fantastic, you might be disappointed.
9 is better than average... but only barely.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
The movie is carried by a unique visual style and a great sense of "place." The sack-men (and woman) are refreshingly odd and fun to watch. The post-apocalyptic city is consistently beautiful and dangerous. Desolate without feeling dull.
Unfortunately, the story and characters ARE dull. Not crushingly so... but enough to frustrate. Frequent, obvious plot holes and violations of established world-rules pulled me out of the movie over and over again. Tired clichés abound. I wasn't able to shake the feeling that I'd seen and heard this all before.
And that's a shame because there's a lot of potential here. If only the writer had taken more chances. Why not challenge the audience and defy expectations? Why make a movie that's too scary for kids but too simplistic for adults? Who is expected to enjoy it?
I would watch another Shane Acker movie if one is made (hopefully after he's picked a target audience). But 9 is not a classic.
... that said, it's probably worth watching on the big screen just for the sights and sounds.
First things first. DO NOT SHOW THIS MOVIE TO VERY YOUNG CHILDREN!! This is a very dark and often scary animation. I would recommend it as an 8 years and up movie, minimum!
And this is also this movies biggest problem. It just didn't pick a target market. It is neither cuddly enough for kids or smart enough for adults. Many reviewers have said how they were confused by the plot or that there didn't seem to be a reason for anything??? I found the opposite, this movie is very straight-forward, a little too so maybe. It is a simple tale of good versus evil in a post apocalyptic, alternative earth. (I fear the suits holding the money may have had something to do with the "dumbing down" of the story however and not the writers).
All this being said, it is beautiful to look at, with some fantastic set pieces and atmosphere and despite it's simple story, it is a sweet tale. The voice acting is solid (special mention goes to John C Riley for his ever-so-sweet portrayal of "5") and the action scenes are tense and well thought out. As I said earlier, the monsters in this really are quite creepy, even by grown-up standards, add to that the post-war setting and occasional images of (albeit CG) dead bodies/death and this really puts this movie out of the young kids film bracket.
"9" could have been so much more. In my opinion, it would have worked better as a grown-up animation with a slightly meatier script and the peril ramped up a little. As it is, it sits somewhat uncomfortably in limbo between kids and grown-ups, fully satisfying neither. Now, your thinking, "he gave this 7/10 and all he has done is complain!" well, it is a good movie and I did enjoy it a lot. It is haunting, thought provoking and beautifully animated and would have scored a 10/10 if it had just been written more towards older viewers.
A fantastic idea, lovingly animated. could have been a classic if it had just been a little braver in the writing phase.
And this is also this movies biggest problem. It just didn't pick a target market. It is neither cuddly enough for kids or smart enough for adults. Many reviewers have said how they were confused by the plot or that there didn't seem to be a reason for anything??? I found the opposite, this movie is very straight-forward, a little too so maybe. It is a simple tale of good versus evil in a post apocalyptic, alternative earth. (I fear the suits holding the money may have had something to do with the "dumbing down" of the story however and not the writers).
All this being said, it is beautiful to look at, with some fantastic set pieces and atmosphere and despite it's simple story, it is a sweet tale. The voice acting is solid (special mention goes to John C Riley for his ever-so-sweet portrayal of "5") and the action scenes are tense and well thought out. As I said earlier, the monsters in this really are quite creepy, even by grown-up standards, add to that the post-war setting and occasional images of (albeit CG) dead bodies/death and this really puts this movie out of the young kids film bracket.
"9" could have been so much more. In my opinion, it would have worked better as a grown-up animation with a slightly meatier script and the peril ramped up a little. As it is, it sits somewhat uncomfortably in limbo between kids and grown-ups, fully satisfying neither. Now, your thinking, "he gave this 7/10 and all he has done is complain!" well, it is a good movie and I did enjoy it a lot. It is haunting, thought provoking and beautifully animated and would have scored a 10/10 if it had just been written more towards older viewers.
A fantastic idea, lovingly animated. could have been a classic if it had just been a little braver in the writing phase.
Much like Shane Acker's short (of the same name), this movie almost REQUIRES multiple viewings for the viewer to really soak everything in.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
The first time I watched the film, my initial criticisms were "That was too short" and "There wasn't not enough emphasis on characters/story". However, after watching the movie a second time, I realized that I had missed a TON of information on my first round. Upon asking other friends what they thought about the movie the second time around, I discovered that they felt the same way.
The first time I watched the film, I felt like everything flew by. It was visual overload, and it just had bad pacing overall. However, on my second viewing of the movie, I noticed that things seemed to go by much, much slower. The pacing seemed better. I noticed character and plot subtleties that I simply did not catch the first time I watched it. I connected more with the stitchpunks, and I understood the story better. The visuals weren't just "Ohhh, pretty!" anymore, they had greater symbolism, and depth.
The movie is, indeed, about 20 minutes too short. Certain characters needed more screen time, and certain points in the plot needed more emphasis. HOWEVER, I found that I enjoyed the movie drastically more when I saw it a second time. I plan on seeing it a third time later this week.
This movie reveals new surprises every time you watch it. If you have seen it once already, and didn't think it was that great, I strongly suggest dropping the $8 and giving this movie a second chance. You may be surprised how much your opinion changes.
As a long-time fan of animation, I like to believe (misguided or not) that I have high standards and am not easily impressed. But this creation blew me away, so much so that I felt compelled to write my first ever review on this site. Please forgive me for the abundance of clichés that may follow.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
9 reminded me strongly of my favourite short-work, Joacquin Baldwin's award-winning Sebastian's Voodoo. The detail, backgrounds, colours, forms, the dark 'grubbiness' of the overall look, the minimal but meaningful character expressions and sublime use of light and shadow were pure heaven for the eyes.
Imagine, if you will, a strange but beautiful lovechild of The Borrowers, Voodoo, Alien, Corpse Bride and War of the Worlds; and you have 9.
The atmospheric score and use of imagery from various real political movements and historic events added to the post-apocalyptic, almost Gothic feel. To prevent it from becoming too heavy, it is interwoven with a deliciously subtle humour and creativity - such as the use of ordinary household objects as weapons and items of clothing. You can tell that Tim Burton had more than a sprinkling of input.
Yes, the storyline is simple (which is why I am puzzled that so many viewers found the ending difficult to grasp) and the characters could have done with more development. That said, I immediately fell in love with 2, 4 and 5 with no knowledge of their past - a difficult task to achieve. And it would be hard to create nine full-blooded personalities with back-history involved in a complex plot in only 80 minutes.
Which brings me to timing and the only reason I knocked a star off - I felt it ended too quickly and I just did not want it to.
It is a rare sort of exquisite film-making that makes you want to serve it on a plate and eat it raw, enjoying every last mouthful. Then savour it all over again because you know you've missed so much in all the glorious detail.
It is a film that stays with you long after it ends. I would urge anyone with a love of the unusual to experience it.
Storyline
Did you know
- TriviaShane Acker first made 9 (2009) as a ten minute short film while he was still at UCLA. It was nominated for Best Animated Short at the Oscars, and although it didn't win, Acker was offered the chance to expand it into a feature film. It follows the same basic plot, but more characters have been added, they have the ability to talk now, and the reason for the world's destruction is explained in more detail.
- GoofsOnce 2 places the voice box into 9, the zipper remains open. However, in the next shot, 9's zipper is closed. The following shot has the zipper open again. 9 is later shown zipping his zipper closed.
- Crazy creditsSome of the end credits emerge from 9's talisman.
- Alternate versionsIn the Russian dubbed version, the dolls represent the people in the Scientist's life instead of the American version where they represent his personality. 1 being the dictator, 2 being his lab assistant, 3 and 4 being the Scientist's twin children, 5 being the field doctor who saved the Scientist's life during the rise of the robots, 6 being the engineer who activated the robot, 7 being the Scientist's wife, 8 being the Chancellor's bodyguard, and 9 representing the Scientist himself.
- SoundtracksOver the Rainbow
Written by Harold Arlen and E.Y. Harburg
Performed by Judy Garland
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Details
- Release date
- Countries of origin
- Language
- Also known as
- Nueve
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $30,000,000 (estimated)
- Gross US & Canada
- $31,749,894
- Opening weekend US & Canada
- $10,740,446
- Sep 13, 2009
- Gross worldwide
- $48,428,063
- Runtime1 hour 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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