Caleb, a 26 year old programmer at the world's largest internet company, wins a competition to spend a week at a private mountain retreat belonging to Nathan, the reclusive CEO of the company. But when Caleb arrives at the remote location he finds that he will have to participate in a strange and fascinating experiment in which he must interact with the world's first true artificial intelligence, housed in the body of a beautiful robot girl.Written by
When Caleb and Nathan are drinking beer, the label on Nathan's beer says "KEIKAKU." Keikaku is Japanese for "plan". See more »
Passing the Turing test indicates an intelligence indistinguishable from a human intelligence. Exactly what such a result implies is a matter of debate and the conclusion that the characters in the film draw - that passing would imply consciousness - is one of many accepted schools of thought on the subject. See more »
How long until we get to his estate?
We've been flying over his estate for the past 2 hours.
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The end credits starts with a single dot in the background which then grows and various patterns emerge from it. See more »
The alternatively censored cut released in China featured frequent blurs of nudity and, on occasion, violence. One scene towards the end also seemed to be zoomed for no apparent reason. See more »
Written by Andrew McCluskey
Performed by Orchestral Manoeuvres in the Dark
Published by BMG Dinsong Limited, a BMG Chrysalis company (c) 1980
Courtesy of Virgin/EMI Records Limited
Under license from Universal Music Operations Limited
Used with permission.
All Rights reserved. See more »
Very involving bit of pure sci-fi
A reclusive CEO of a leading technology company hires a young whiz kid who works for him to test his latest development, a highly advanced android called Ava. Specifically he is tasked with using the Turing test on her to establish if her AI is sufficiently convincing to pass as human.
Despite contributing several scripts for the screen, this is writer Alex Garland's first directorial effort. It's a hard sci-fi movie which examines concepts and ideas above everything else. That's not to say it isn't dramatic or even thrilling because it is both of those things as well but the focus is squarely on the science fiction speculation, and this is a very welcome thing. The central concept that it examines is artificial intelligence. How we interact with AI as humans, as well as how a seductive machine could in turn manipulate us. The very well written script poses philosophical questions such as is there moral or immoral ways to treat AI. It also considers if sometimes part of being human is that we sometimes subconsciously want to be fooled by an illusion, if it is attractive enough.
In many ways Ex Machina resembles last years Under the Skin. Both feature highly advanced female non-humans. In the earlier film Scarlett Johansson played an alien, here Alicia Vikander plays an android. While the very small cast all acquit themselves very well, it is Vikander who stands out in the film's most challenging role. It's a nuanced performance that captures the fine balance between the human-like and machine. Not only this but the marvellous special effects compliment this performance to create a very distinctive character. Aside from the effects, this is probably quite a modestly budgeted film, as the small little-known cast and limited sets suggest. But these restrictions have been used to the films advantage, as the unknown cast surprise more given little is known of them and the restricted setting gives off a claustrophobic feel which works well, while forcing us to focus in even more on the ideas being put in front of us. A scene setting ambient soundtrack additionally creates just the right off-kilter mood to accentuate the events. But it's ultimately the very good writing that underpins the success of this film. All-in-all, very impressive science fiction for those who appreciate the genre's more cerebral side.
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