A bright assistant D.A. investigates a gruesome hatchet murder and hides a clue he found at the crime scene. Under professional threats and an attempt on his life, he goes on heartbroken because evidence point to the woman he still loves.
Having escaped her abusive ex-husband Goss, recently released from state prison, Agnes, a lonely waitress with a tragic past moves into a sleazy, rundown motel. Her lesbian co-worker R.C. introduces her to Peter, a peculiar, paranoiac drifter and they begin a tentative romance. However, things aren't always as they appear and Agnes is about to experience a claustrophobic nightmare reality as the bugs begin to arrive...Written by
Throughout all the scenes in the motel where the bathroom is visible, we see that the bathroom door is a regular standard door. But in the scene when Peter is removing a tooth, as he goes to enter the bathroom the door changes into a double louvered door. Then changes back to the regular door in later scenes. See more »
I was lucky enough to see the movie in a French theater showing a part of the Cannes film festival selection.
If you know William Friedkin mostly for his gritty thrillers or The exorcist, Bug might be a surprise: a single location, 5 characters, no car chase, but still a lot of ambiguity and psychological exploration.
Bug actually reminds me of the first Friedkin movies, also based on plays and more interested in character study than spectacular effects. It's all the more striking that Bug looks like a young man's movie, filled with energy, experimentation, absurd humor and a genuine sense of artistic freedom. Bug tries a lot of things, doesn't always succeed but remains an intense exercise of style. Recommanded for everybody who enjoys a good surprise.
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