Directed by
| Henry Miller | ||
Writing Credits (in alphabetical order)
| William Borden | ||
Cast
| Debbie Harry | ... | Margaret (as Deborah Harry) | |
| Gary Ray | ... | Meritt | |
Produced by
| Michael G. Gunther | ... | producer |
| Gary Ray | ... | executive producer |
Music by
| Al Houghton | ||
| Jeff Neiblum | ||
| Gary Ray | ||
Cinematography by
| Adam Beckman | ||
Editing by
| Sean Campbell | ||
| Ian B. Wile | ||
Casting By
| David Leslie | ||
Art Direction by
| Dorothy DiComo | ||
Costume Design by
| Adam Girardet | ||
Makeup Department
| Adam Girardet | ... | makeup artist |
Production Management
| Ethan Shrier | ... | unit production manager |
Second Unit Director or Assistant Director
| Daniel Hartney | ... | first assistant director (as Dan Hartney) |
| Loren Sklar | ... | second assistant director |
Sound Department
| Rob Daly | ... | sound editor |
| Jeff Formosa | ... | re-recording mixer / sound designer |
| Adam Sanchez | ... | boom operator |
| Kevin Seaman | ... | sound recordist |
Camera and Electrical Department
| David Araki | ... | key grip |
| John Cardoni | ... | gaffer |
| John Clemens | ... | first assistant camera |
| Lisa Guevara | ... | second assistant camera |
| John McEnerney | ... | grip |
| Stacey Meineke | ... | third assistant camera |
| John Milcetic | ... | best boy |
| Don Mucho | ... | best boy |
| Bob Schlosser | ... | grip |
| Rosie Vanek | ... | grip |
Costume and Wardrobe Department
| Adam Girardet | ... | wardrobe |
Editorial Department
| Ronald Sudul | ... | colorist |
Additional Crew
| Keith Bavolar | ... | police consultant (as Sgt. Keith Bavolar) |
| Beth Cahn | ... | stand-in (as Elizabeth Kennedy) |