6.0/10
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570 user 241 critic

World Trade Center (2006)

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Two Port Authority police officers become trapped under the rubble of the World Trade Center.

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Writers:

, (true story) | 3 more credits »
4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Erin McLoughlin
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Caitlin McLoughlin
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Subway Rider
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Port Authority Officer (as Will Jimeno)
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Lieutenant Kassimatis
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Inspector Fields
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Homeless Addict #1
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Storyline

On September, 11th 2001, after the terrorist attack to the World Trade Center, the building collapses over the rescue team from the Port Authority Police Department. Will Jimeno and his sergeant John McLoughlin are found alive trapped under the wreckage while the rescue teams fight to save them. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

The World Saw Evil That Day. Two Men Saw Something Else. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense and emotional content, some disturbing images and language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

9 August 2006 (USA)  »

Also Known As:

September  »

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Box Office

Budget:

$63,000,000 (estimated)

Opening Weekend USA:

$18,730,762, 13 August 2006

Gross USA:

$70,278,893

Cumulative Worldwide Gross:

$162,970,240
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The plane that first hit the World Trade Center was American Airlines Flight 11, and UAF 175 struck the South Tower 17 minutes later at 9:03am, September 11th, 2001. The other planes crashed into the Pentagon in Washington DC and the other in rural Pennsylvania. See more »

Goofs

In the scene with the local police going to Donna McLoughlin's house, a blue police car and a fire vehicle pull up. The blue police car has wheels on it only available on the 2003 and newer Crown Victoria, this movie was set in 2001. See more »

Quotes

[first lines]
Radio announcer: You give us 22 minutes, we'll give you the world
[1010 WINS Radio]
Radio announcer: .
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Connections

Referenced in Yes Man (2008) See more »

Soundtracks

The Lost Chord
by Arthur Sullivan (as Sir Arthur Sullivan)
Arranged by Clarence Eddy
Performed by Mary Gifford
Courtesy of Giffitz Records
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Frequently Asked Questions

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User Reviews

 
Good intentions and some powerful moments but overall a disappointment
10 August 2006 | by See all my reviews

I honestly didn't think it was very good at all, though I respect the intentions of the filmmakers. Whatever one wants to say about Oliver Stone, he showed a commitment to faithfully telling the story of these two Port Authority cops trapped in the wreckage of the World Trade Center and their worried wives.

I liked a lot of the scenes in the beginning, the little mundane details like when Michael Pena's character is going about his everyday street beat. But the scenes at the WTC itself are really awkward, especially the cross-cutting between real footage and the actors. They just don't match, neither the film stocks nor the actors' reactions. A couple of moments with Pena standing there on the concourse were effective in creating a sense of horrific surrealism, and the moments right before the collapse were sudden and chilling...but overall it was not as powerful as I was expecting. For a film called World Trade Center, I guess I was expecting a little more context and not something focused so narrowly on these two Port Authority cops and an ex-Marine from Connecticut (as the only person outside these two cops' families whose story is told in the film, the focus on him reeks of jingoism in a GI Joe/Rambo vein).

I know it's a little unfair to compare this to United 93, but I need to in order to illustrate the point. U93 told a specific story (the experience of the passengers on the plane) and placed it within a context (what was happening with air traffic control and the military). The lessons that are demonstrated in the actions of the passengers are enhanced by contrasting them with the helplessness of the "professionals" responsible for their safety. It's telling a dramatically powerful story, conveying a theme , AND providing a larger historical context of what happened that day. Oliver Stone, by comparison, has failed to effectively tie the experiences of these two trapped cops with the larger events of the day, and his film suffers as a result. And in the end the film largely shortchanges the stories of the 2749 families who didn't get good news that day.

OK, so the film focuses on a narrow story of these two trapped cops and their families (and the gung ho marine, but he has limited screen time). Was their story well told? The scenes amidst the wreckage were compelling, but the back-and-forth with their wives became annoyingly schmaltzy. Yes, Maggie Gyllenhaal gave a strong performance as the pregnant wife and a lot of the moments with her family (esp the brief scene with the Colombian mother-in-law praying) were emotionally poignant, but so much of the family stuff was lame melodrama. And to be honest, even Maggie's performance was a little generic. I understand that these characters are all closely based on real life, but it still felt very Lifetime movie of the week. As for Maria Bello in the role of the other wife, I loved her in A History of Violence, but she was bland in this. The kid actors playing her children were mostly awful, and the film dragged whenever their story was on the screen. The resolution is mostly handled well, I really like what Oliver Stone is trying to convey about these small gestures of heroic goodness in the face of such desolation. But the power of these scenes is undermined by his tendency to pour on the sappiness while largely ignoring the greater horror of the day. It feels like a soap opera set against the greatest tragedy of our age, and that just doesn't work for me.

In short...not intense enough, not enough context, too much melodrama, not enough of a sense of reverence for what happened, highly impressive job of recreating the debris field, a charismatic performance from Maggie, overall a mediocre film.


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