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Bathory: Countess of Blood (2008)

Bathory (original title)
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Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth... See full summary »

Director:

Juraj Jakubisko

Writers:

Juraj Jakubisko, John Paul Chapple (additional script material written by) | 1 more credit »
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5 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anna Friel ... Erzsébet Báthory
Karel Roden ... Thurzo
Vincent Regan ... Ferenc Nadasdy
Hans Matheson ... Merisi Caravaggio
Deana Horváthová ... Darvulia (as Deana Jakubisková-Horváthová)
Franco Nero ... King Mathias II
Antony Byrne Antony Byrne ... Pastor Ponicky
Bolek Polívka ... Peter
Jirí Mádl ... Cyril
Monika Hilmerová ... Countess Czobor
Lucie Vondrácková ... Lucia
Jaromír Nosek ... Miklós Zrínyi (as Míra Nosek)
Marek Majeský ... Gábor Báthory
Marek Vasut ... Bethlen
Jana Olhová ... Dora
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Storyline

Bathory is based on the legends surrounding the life and deeds of Countess Elizabeth Bathory known as the greatest murderess in the history of mankind. Contrary to popular belief, Elizabeth Bathory was a modern Renaissance woman who ultimately fell victim to men's aspirations for power and wealth. Written by Anonymous

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated R for strong violence and torture, sexuality and some graphic nudity | See all certifications »
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Details

Language:

English

Release Date:

10 July 2008 (Slovakia) See more »

Also Known As:

Bathory: Countess of Blood See more »

Filming Locations:

Austria See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Famke Janssen was originally signed on for the part of Bathory, but for reasons unknown she backed out. Anna Friel read the script and fell in love with it and sent the director a letter convincing him to cast her. It was written in Slovak language, because her babysitter was from Slovakia and helped her writing it. See more »

Connections

Referenced in Tvoje tvár má známý hlas: Episode #2.12 (2016) See more »

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User Reviews

 
A pack of lies.
27 September 2013 | by dmacewenSee all my reviews

It's true that a myth has been built around Elisabeth Bathory. But that myth is not her reputation as a monster: that is wholly deserved and borne out by historical fact. The myth is that of Bathory as vain, beauty-obsessed blood-bather. While there might be some genuine basis for this -- serial killers, after all, have been obsessed with stranger notions than the ones legend has attributed to Bathory -- the bottom line is that this lesbian murderess was a sadistic fiend who extracted intense sexual pleasure from the torture and murder of young girls. The revised version was manufactured in the Victorian era, because people couldn't bear to acknowledge that the "gentler sex" could be as bloodthirsty as men. This was, after all, the era of John Ruskin, "separate spheres," and the notion of woman as civilizing influence. Thus, Elisabeth Bathory was turned into a supernatural fiend whose story mainly served to warn women of the evils of "female vanity."

Apparently, we have not come very far from the mentality of the nineteenth century, for we still live in a culture that cannot or will not view women as anything other than wholesome pillars of moral rectitude. Thus, Karla Homolka's depredations were whitewashed in a loathsome and factually corrupt straight-to-video movie. Aileen Wuornos is turned into some kind of culture hero. And gender feminists refer to the likes of Homolka and others as "classic examples of female victims of male sadism."

Now we have this pack of lies, in which Bathory is victimized by power hungry men while she valiantly strives to protect her children. Yes, the old standby, folks: when you want to make excuses for evil women, just portray them as nurturing and self-sacrificing, willingly shouldering the burden of undeserved ignominy for the sake of their children. The kind of characterization which has nauseated feminists and gelded Marxist males for generations, but which they never fail to exploit when it suits their purposes.

I'm a huge fan of the beautiful and talented Anna Friel. Her presence and performance are the only reasons I give this piece of dreck two stars. May everyone else involved with its production rot in hell.


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