A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
A tale of greed, deception, money, power, and murder occur between two best friends: a mafia enforcer and a casino executive, compete against each other over a gambling empire, and over a fast living and fast loving socialite.
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ...Written by
Huggo / edited by statmanjeff
While on location in Marfa, Texas, No Country for Old Men (2007) was the neighboring film production. One day, Paul Thomas Anderson and his crew tested the pyrotechnical effects of the oil derrick fire, causing an enormous billowing of smoke, intruding the shot that Joel Coen and Ethan Coen were shooting. This caused them to delay filming until the next day when the smoke dissipated. Both this film and No Country for Old Men (2007) would eventually become the leading contenders at the Academy Awards a year and a half later. See more »
When Eli enters Daniel's office to ask about the blessing, as he starts to sit down his hands are starting to tent together, but when the camera changes his hands are at his side and when only after he sits down does he tent his fingers. See more »
HW's Interpreter, George:
[speaking for deaf H.W]
I'd prefer to speak to you in private.
You can't speak. so why don't you flap your hands about and have what's-his-name tell me where you've been. Or do you think I don't know?
HW's Interpreter, George:
This is hard for me to say. I'll tell you first: I love you very much. I've learned to love what I do because of you. I'm leaving here. I'm going to Mexico. I'm taking Mary, and I'm going to Mexico. I miss working outside. I miss the fields. It'll only be for a time, for me to do my own drilling ...
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There are no opening credits, except for the title See more »
just got back from an early screening here in san francisco and thought i'd just lay down a few lines. Mr. Anderson was in attendance but did'nt really comment on the film, I would have liked to hear what he had to say, as I have not been so knocked over the head by an American film in so many years. He was humble in his introduction and let the movie speak for itself. It is a near perfect stew of direction, cinematography, score and last but not least, acting. Daniel Day Lewis is absolutely mesmerizing, Paul Dano made me squirm as the wretched young priest. oh my god, i have chills just thinking about both of these performances. they stay with you. a lot of the film reminded me of Terrence malick, though it did'nt emulate him. just a nice reminder. i think i'll watch days of heaven now. i wish there were more films like this coming out of the states, let's keep our fingers crossed.
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