A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ...Written by
Huggo / edited by statmanjeff
Paul Thomas Anderson planned to have the restored bowling alley (used at the climax) located at the Greystone Mansion to be entirely painted in white to give some Kubrick symmetry and menacing quality (also a nod to A Clockwork Orange (1971)). However, he changed it to its original state when it was later decided that the bowling alley was to be given away for ownership after filming. See more »
In the early scenes where the two miners are hauling buckets up the wells, a modern "bow" shackle is used to hold the bucket to the rope. See more »
What is evil? What is hate? How low can an individual go with one's actions and still be considered human....? These, quite possibly, are the biggest questions raised in There Will Be Blood.
Paul Thomas Anderson and Daniel Day-Lewis, the tycoons at the helm of this dig for moral oil, tell a story that takes the archetypal anti-heroes of 'Citizen Kane' and Travis Bickle of 'Taxi Driver' to a whole new, 21st-century level. The film, using Lewis's character Daniel Plainview, walks through incredibly dangerous cinematic territory that questions religion, plays with the nature of greed and hate and evil, and with it all, draws terrifying parallels to the world we live in today. The film and its main character claw so deep through the limits of humanity and the landscape of hell, that you'll be thanking the Good Lord for the silver screen that divides you from this horrible world Paul Thomas Anderson has portrayed. But despite how safe you may seem in your cushy seat, you will undoubtedly walk out of the theater with all kinds of new demons and ghosts buzzing in your head and ripping away at your subconscious. In this way, Anderson has abandoned his primary previous influence of Robert Altman to take more of a Stanley Kubrick direction, creating moral allegories that creep into your psyche and don't ever leave. You should be scared. Very Scared.
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