There Will Be Blood (2007)

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.

Director:

Paul Thomas Anderson

Writers:

Paul Thomas Anderson (written for the screen by), Upton Sinclair (novel)

Stars:

Daniel Day-Lewis, Paul Dano, Ciarán Hinds

Top Rated Movies #159 | Won 2 Oscars. Another 107 wins & 136 nominations.

Cast

Cast overview, first billed only:
Daniel Day-Lewis	...	Daniel Plainview
Martin Stringer	...	Silver Assay Worker
Matthew Braden Stringer	...	Silver Assay Worker
Jacob Stringer	...	Silver Assay Worker
Joseph Mussey	...	Silver Assay Worker
Barry Del Sherman	...	H.B. Ailman
Harrison Taylor	...	Baby HW
Stockton Taylor	...	Baby HW
Paul F. Tompkins	...	Prescott
Dillon Freasier	...	HW
Kevin Breznahan	...	Signal Hill Man
Jim Meskimen	...	Signal Hill Married Man
Erica Sullivan	...	Signal Hill Woman
Randall Carver	...	Mr. Bankside
Coco Leigh	...	Mrs. Bankside

Storyline

The intersecting life stories of Daniel Plainview and Eli Sunday in early twentieth century California presents miner-turned-oilman Daniel Plainview, a driven man who will do whatever it takes to achieve his goals. He works hard but also takes advantage of those around him at their expense if need be. His business partner/son (H.W.) is, in reality, an "acquired" child whose true biological single-parent father (working on one of Daniel's rigs) died in a workplace accident. Daniel is deeply protective of H.W. if only for what H.W. brings to the partnership. Eli Sunday is one in a pair of twins whose family farm Daniel purchases for the major oil deposit located on it. Eli, a local preacher and a self-proclaimed faith healer, wants the money from the sale of the property to finance his own church. The lives of the two competitive men often clash as Daniel pumps oil off the property and tries to acquire all the surrounding land at bargain prices to be able to build a pipeline to the ...

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Plot Keywords:

oil | misanthrope | loss of hearing | false prophet | alcoholic | 

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Taglines:

There Will Be Greed. There Will Be Vengeance.

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Genres:

Drama

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Motion Picture Rating (MPAA)

Rated R for some violence

Details

Official Sites:

Official Facebook Official site

Country:

USA

Language:

English American Sign Language

Release Date:

25 January 2008 (USA)

Also Known As:

Oil!

Filming Locations:

Shafter, Texas, USA

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$302,845, 30 December 2007, Limited Release

Gross USA:

$40,222,514

Cumulative Worldwide Gross:

$77,208,711

Company Credits

Production Co:

Paramount Vantage, Miramax, Ghoulardi Film Company

Technical Specs

Runtime:

158 min

Sound Mix:

SDDS Dolby Digital DTS

Color:

Color

Aspect Ratio:

2.39 : 1

Did You Know?

Trivia

The film was originally given a 12A rating in the U.K. for cinema exhibition, meaning that children of any age could see it, with adult supervision if they were younger than twelve years. In a curious move, the distributors subsequently appealed to the British Board of Film Classification to consider raising the certificate. The B.B.F.C. agreed, and the film was subsequently uprated to a more restrictive 15, preventing those younger than fifteen years from being admitted to screenings regardless of parental supervision.

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Goofs

The climactic sequence takes place in 1927 according to the onscreen title. When the preacher refers to not being informed of the recent economic downturn by God, he is referring to the Crash of October 1929.

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Quotes

[last lines]
Plainview: I'm finished.

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Crazy Credits

There are no opening credits, except for the title

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Connections

Spoofed in Robot Chicken: Help Me (2008)

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Soundtracks

Smear
Composed by Jonny Greenwood
Performed by London Sinfonietta (as The London Sinfonietta)
Conducted by Martyn Brabbins
Ondes Martenot Solos by Valérie Hartmann-Claverie & Bruno Perrault
Recorded for Broadcast on BBC Radio 3 on 25th June 2005
Licensed courtesy of BBC Worldwide

User Reviews

Remember Those Hollywood Studio Epics? Me Either. But We're Covered.

The year I was born was the same year Predator and Robocop came out. When I was finally old enough to appreciate films, Little Nicky was in theaters. I know, believe me, I know; rocky start. And often I would watch older films, or specials on older films, and be dazzled. You know the ones. Remember when they made Spartacus? Remember sitting in the movies and watching Gregory Peck play Atticus Finch in To Kill A Mockingbird? Remember the first time you heard "I could've been a contender" through theater speakers? Well I sure as hell don't. But I'll tell you what, now I feel somewhat caught up. Let's begin with the obvious. Daniel Day Lewis. No one's arguing about this. The man is a veritable God among ants on the screen. He takes his role by the reigns and I don't doubt him for a second. In fact, at times, I was downright afraid of the man. Lewis gives what is easily, EASILY the best performance of the past five years. But let's get serious about it. Lewis' Daniel Plainview is the most convincing, awe-inspiring, and downright mortifying character to take the big screen that I can remember. Here, perfectly in his element and at his best, Lewis could go toe to toe with Brando and Kinski, playing a part that oozes enough skill and pathos to earn him a place among Hollywood's, and perhaps the world's, greatest performances of all time. He gives those of us who missed out on the craft, depth of character, and technique of classic cinema a chance to admire a tour de force portrayal of a memorable, identifiable, and completely despicable character, and it's so damned refreshing that I can't stop singing the man's praises. Paul Dano has been taking a lot of fire for this whole thing. People continue to spout their disapproval of the film's casting, saying that Dano has no business rivaling the seasoned Lewis on the screen. Listen, lay down your swords a minute and consider the obvious. The guy was cast opposite the performance of the decade, he's not going to outshine Lewis and you'd be crazy to expect him to. In fact, I think that he and Lewis' back-and-forths are the films highlights, as we see the juxtaposition not only in the characters themselves, but also in their acting techniques. And the cinematography? Welcome to the old days of film. The glory days of Hollywood. Anderson gives us one of the most beautifully shot and directed films in recent memory, truly at the top of his craft on this one. Every moment feels more epic than the last, until the film becomes such a towering cinematic spectacle that the end leaves the viewer exhausted. It's truly an experience not to be missed. Yeah, we missed out on A Street Car Named Desire. And Casablanca isn't gonna be in theaters again any time soon. But in the meantime, There Will Be Blood is just about as good, and will likely haunt our generation as much as the Hollywood studio epics of the past...