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Tsotsi (2005)

R | | Crime, Drama | 31 March 2006 (USA)
Trailer
1:58 | Trailer
Six days in the violent life of a young Johannesburg gang leader.

Director:

Gavin Hood

Writers:

Gavin Hood, Athol Fugard (novel)
Won 1 Oscar. Another 16 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Presley Chweneyagae ... Tsotsi
Terry Pheto ... Miriam
Kenneth Nkosi Kenneth Nkosi ... Aap
Mothusi Magano ... Boston
Zenzo Ngqobe Zenzo Ngqobe ... Butcher
Zola Zola ... Fela
Rapulana Seiphemo Rapulana Seiphemo ... John Dube
Nambitha Mpumlwana Nambitha Mpumlwana ... Pumla Dube
Nonthuthu Sibisi Nonthuthu Sibisi ... The Baby
Ntuthuko Sibisi Ntuthuko Sibisi ... The Baby
Jerry Mofokeng Jerry Mofokeng ... Morris
Ian Roberts Ian Roberts ... Captain Smit
Percy Matsemela Percy Matsemela ... Sergeant Zuma
Thembi Nyandeni Thembi Nyandeni ... Soekie
Owen Sejake Owen Sejake ... Gumboot Dlamini
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Storyline

In Johannesburg, a small time criminal, Tsotsi, is a teenager without feelings, hardened by his tough life. After a series of violent gang hits, Tsotsi hijacks a car. However, whilst driving, Tsotsi finds that there is a baby on the back seat. He brings the baby to his house in the slum. The next six days bring about a change in him that couldn't be foreseen. Written by based on the review by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

In this world... redemption just comes once. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for language and some strong violent content | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

UK | South Africa

Language:

Zulu | Xhosa | Afrikaans | English

Release Date:

31 March 2006 (USA) See more »

Also Known As:

Infância Roubada See more »

Filming Locations:

South Africa See more »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$76,324, 26 February 2006

Gross USA:

$2,912,606

Cumulative Worldwide Gross:

$9,879,971
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

This is the first Miramax release since founders Harvey Weinstein and Bob Weinstein left the company. See more »

Goofs

When Tsotsi enters the room of the kidnapped child, you can see (on the right hand side) that the wall paper is false. See more »

Quotes

Morris: [after hearing a defining moment in Tsotsi/David's childhood] What kind of bastard would break a dog's back?
See more »

Connections

Featured in The 79th Annual Academy Awards (2007) See more »

Soundtracks

Ehlala
Lyrics Written by Zola (as Bonginkosi Dlamini)
Music Written by DJ Cleo (as Cleopas Monyepao) & Thabiso Tsotetsi
Performed by Zola
See more »

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User Reviews

 
A Moving Experience of South African Sight, Sound and Performance of Universal Humanity
13 March 2006 | by noraleeSee all my reviews

"Tsotsi" should be seen on a big screen in order to fully appreciate its varied and intense look, performances and sound.

First the look. Even as writer/director Gavin Hood has updated Athol Fugard's novel to the new South Africa of an integrated police force, upscale blacks who can demand their attention vs. abandoned AIDS orphans, the settings in Johannesburg vs. Soweto with their sharp and horrific contrasts are not something American audiences have seen and almost seem as if they are from a futuristic post-apocalyptic vision. Each character is dramatically and very emotionally defined by the surroundings we see, where they once or currently live.

Not only is Lance Gewer's cinematography from day to night, from barren openness of no man's land to the closed-in dense township simply gorgeous, he is particularly good at capturing the luster of dark skin tones swathed in colorful clothes. Many scenes, particularly the excruciatingly violent ones, are heightened with dramatic lighting.

The actors grab the screen even amidst this extreme mise en scene. Presley Chweneyagae as the titularly nicknamed thug is not just physically charismatic, but the changes in his voice are gripping in communicating the extreme range of feelings he experiences over the few days the film takes place. This is a road trip through his soul, from flash backs to existential acts from his depths to finding his humanity (and his real name). His relationship with a cruelly accidental foundling infant has no comparison to the dozens of films, usually comedies, made around the world about an irresponsible guy stuck with a kid and how a child can be father to man. While his picaresque physical and psychic journey is almost as theatrical in its coincidences as "Crash", the tension is built up as it is unpredictable in each confrontation whether he will react violently or redemptively.

Just when I thought his side kicks were undifferentable, even they turned out to have complicated stories that were well portrayed, particularly Mothusi Magano as "Boston".

Terry Pheto as "Miriam" is the very essence of woman as bringer forth of life, from her artistic talents to her nourishing milk. She is beautiful and strong. It is rare to see maternal love so powerfully portrayed on film as by the women here.

The soundtrack of local South African music is wonderfully atmospheric, and I'm dancing in front of the computer while listening to the CD now. Particularly outstanding are the tracks by local kwaito artist Zola which uniquely combine local and international hip hop into a new sound, as well as tracks with the inspiring voice of Vasi Mahlasela over choirs, which recalls Ladysmith Black Mambazo. With an attention to detail in the music, the middle class family listens to soft R & B on their car radio, in comparison to the township sound that surrounds the Soweto residents.

Bravo for the very legible subtitles throughout and translated musical lyrics, even as we can occasionally pick out some pidgin English amidst the township jive.

Nice to see that an art house in Manhattan could attract a significant African-American audience for this film even before it won the Oscar for Best Foreign Language Film.


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