Coming together to solve a series of murders in New York City are a police detective whose family was slain as part of a conspiracy and an assassin out to avenge her sister's death. The duo will be hunted by the police, the mob, and a ruthless corporation.
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe.
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
Three years ago, NYPD detective Max Payne's wife and baby were murdered. Max gets himself transferred to the cold case office where he can continue searching for the killer who got away. He's a loner, but two people reach out to him during a fateful week: Alex, his ex-partner who may have found a clue, and BB, the security chief at the pharmaceutical company where Max's wife worked. Meanwhile, bodies are piling up, some as a result of a drug on the street that is highly addictive and, for many who take it, brings hideous hallucinations. When one of the bodies is a woman Payne was the last to see alive, her sister comes looking for him armed to the teeth; Max must move fast.Written by
In the post-credits scene, as Max Payne walks into the bar, a marquee across the street reading "Forgotten Rebels" and "The 3Tards" is visible. Visual Effects Supervisor Jeff Campbell is the guitarist for the punk band Forgotten Rebels. "The 3Tards" is a shout-out to the fellow Ontario-born punk band (both have played shows together, including during post-production of "Max Payne"). See more »
When Natasha Sax (Olga Kurylenko) is in Max's bed she has a sheet covering all the way down to her undergarments. On the next shot the sheet is lifted revealing her abdomen. See more »
I don't believe in heaven. I believe in pain. I believe in fear. I believe in death.
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After the credits is an extra scene, in which Max is reunited with Mona at a bar to be shown further developments involving Aesir, implying both have more to do (setting the scene for a possible sequel). See more »
I have never played the Max Payne games, so I have no idea if the movie was faithful to its origins. I've heard some people say that it was and others say it wasn't. But in any case, this really wasn't as bad as everyone seems to think. No, there wasn't as much action as you might get in a "Transporter" movie, but that didn't really bother me because sometimes I like movies that have a little more thought behind them. There were still some really awesome action sequences though and it was definitely beautifully shot. The atmosphere that they created with the lighting was great.
However, there were still some things that I didn't like about this movie and that they could have done better. First, most of it, especially the beginning, seemed very jumbled and hard to understand. The writing and the editing were sub-par. Second, and this is probably due to the bad writing and editing, you never really connect with any of the characters and so you can never really feel any overwhelming emotion about their situation. The whole thing seemed slightly hollow and empty, as if the writer and director themselves were not quite sure what they were trying to get at. Third, the acting sucked big time in some scenes. It wasn't horrible throughout the whole movie, but it still left much to be desired. Fourth, there were many things in the story that weren't fully explained, which only contributed to the hollow, confused feeling of the entire movie.
So, overall, it is not a bad film, but I was slightly disappointed. It really could have been an amazing movie, and I blame the writer and editor for almost completely ruining it. The only thing that saves it is the few awesome action scenes and the cinematography. But please don't believe anyone that says it one of the worst movies ever because it's not. It's just not as good as it should have been.
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