| Cast overview, first billed only: | |||
| Predrag Bjelac | ... | Vatican Observatory Priest (as Pedja Bjelac) | |
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Carlo Sabatini | ... | Cardinal Fabretti |
| Bohumil Svarc | ... | Pope | |
| Liev Schreiber | ... | Robert Thorn | |
| Giovanni Lombardo Radice | ... | Father Spiletto | |
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Baby Zikova | ... | Damien - Newborn |
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Baby Morvas | ... | Damien - Newborn |
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Baby Muller | ... | Damien - Newborn |
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Baby Litera | ... | Damien - Newborn |
| Julia Stiles | ... | Katherine Thorn | |
| Tomas Wooler | ... | Damien - 2 Years Old (as Tomas Wooller) | |
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Rafael Sallas | ... | Rome Embassy Marine |
| Marshall Cupp | ... | Ambassador Steven Haines | |
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Martin Hindy | ... | Haines' Limo Driver (as Martin 'Mako' Hindy) |
| Seamus Davey-Fitzpatrick | ... | Damien | |
When the Vatican observatory Priest sees the appearance of a comet, the Church is sure that it confirms the eve of the Armageddon. Meanwhile, the U.S. President's godson Robert Thorn (Liev Schreiber) is informed in the maternity ward in Rome by Father Spiletto (Giovanni Lombardo Radice) that his wife Katherine (Julia Stiles) has just lost her baby and she had troubles with her uterus and would not have another pregnancy. Spiletto suggests to Robert that another just-born child that lost his mother could be the substituted for his son, and Robert accepts the child and gives him the name of "Damien". Robert is promoted to ambassador in London after a tragic accident. When Damien's nanny (Amy Huck) commits suicide during his birthday party, a substitute, Mrs. Baylock (Mia Farrow), comes to work and live with the family. Through the years, Katherine realizes that Damien is evil, while Robert is contacted by Father Brennan (Pete Postlethwaite), who tells him that Damien is the son of devil... Written by Claudio Carvalho, Rio de Janeiro, Brazil
I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough.
The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning.
The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.