6.5/10
14,395
121 user 118 critic

Margaret (2011)

Trailer
2:18 | Trailer

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ON DISC
A young woman witnesses a bus accident, and is caught up in the aftermath, where the question of whether or not it was intentional affects many people's lives.

Director:

Kenneth Lonergan
9 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
Anna Paquin ... Lisa Cohen
J. Smith-Cameron ... Joan
Mark Ruffalo ... Maretti
Jeannie Berlin ... Emily
Jean Reno ... Ramon
Sarah Steele ... Becky
John Gallagher Jr. ... Darren
Cyrus Hernstadt Cyrus Hernstadt ... Curtis
Allison Janney ... Monica Patterson
Kieran Culkin ... Paul
Matt Damon ... Mr. Aaron
Stephen Adly Guirgis ... Mitchell
Betsy Aidem ... Abigail
Adam Rose ... Anthony
Nick Grodin ... Matthew
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Storyline

Bothersome New York City high-school student Lisa Cohen (17), who consistently messes up her life and that of boy classmates, searches New York in vain for a fit cowboy hat to wear at an excursion with her separated father and stepmother. Spotting one on bus driver Maretti's head but failing to board, she stubbornly runs along and keeps claiming his confused attention, until the bus hits a blind senior, who is wounded fatally The NYPD quickly closes the case as an accident, but Lisa, duly consumed by guilt and spared any charge, starts bothering everyone and making a mean pest of herself, not only at home, as self-absorbed actress mother may deserve, but also in the precinct, tracking down the victim's uninterested kin out of town and even Maretti at home. A family friend lawyer gets involved in the case, digging in to compromising circumstances and causing real trouble to people who were of the hook. Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for strong language, sexuality, some drug use and disturbing images | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site

Country:

USA

Language:

English

Release Date:

1 June 2012 (Italy) See more »

Also Known As:

Margarita See more »

Filming Locations:

New York City, New York, USA

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Box Office

Budget:

$14,000,000 (estimated)

Opening Weekend USA:

$7,525, 2 October 2011, Limited Release

Gross USA:

$46,495, 23 October 2011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (extended cut)

Sound Mix:

Dolby

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The screenplay featured fifty-one speaking roles. See more »

Goofs

On Lisa's geometry test, question 2 doesn't make sense. It should read "find WA" or "find WY". See more »

Quotes

Joan: You know what? You're a little cunt.
Lisa Cohen: [scoffs] You're a big cunt.
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Alternate Versions

Extended version released on DVD runs for 178 minutes. See more »

Connections

Referenced in Honest Trailers: The Oscars (2017) (2017) See more »

Soundtracks

Mister Softee (Jingle and Chines)
Courtesy Mister Softee Inc.
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Frequently Asked Questions

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User Reviews

great movie
20 February 2012 | by jamesdamnbrownSee all my reviews

Margaret is a well written coming of age drama, but the protagonist is not a sympathetic character, which is going to alienate a lot of the audience right off the bat. The girl behind me as I left the theater didn't like it, telling her friend, "I just couldn't stand Anna Paquin's character." The screenplay is deft at shorthanding idiosyncratic, complicated personalities with naturalistic dialogue. It also helps that every role in the film, including almost every minor part, is cast with a top notch actor. But for all the big Hollywood names, my props go to J. Smith-Cameron for a theater-grade performance scaled down to fit the intimacy of a close up shot. The movie explores the milieu of affluent teenagers attending an upscale school in New York City, and one of the other reviewers here is right in saying it resembles a French film in that it takes an mature approach to depicting adolescents, showing them as smart, complicated, sexual, uncertain. Most mainstream reviewers seem puzzled as to what they should think about it. I think it's over their heads, the elliptical, dialogue heavy, character driven narrative style, as well as the lack of an easy, simple take-away moral, seems to have befuddled them. Maybe we should rope in some theater critics' opinions instead.


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