Bothersome New York City high-school student Lisa Cohen (17), who consistently messes up her life and that of boy classmates, searches New York in vain for a fit cowboy hat to wear at an excursion with her separated father and stepmother. Spotting one on bus driver Maretti's head but failing to board, she stubbornly runs along and keeps claiming his confused attention, until the bus hits a blind senior, who is wounded fatally The NYPD quickly closes the case as an accident, but Lisa, duly consumed by guilt and spared any charge, starts bothering everyone and making a mean pest of herself, not only at home, as self-absorbed actress mother may deserve, but also in the precinct, tracking down the victim's uninterested kin out of town and even Maretti at home. A family friend lawyer gets involved in the case, digging in to compromising circumstances and causing real trouble to people who were of the hook.Written by
Margaret is a well written coming of age drama, but the protagonist is not a sympathetic character, which is going to alienate a lot of the audience right off the bat. The girl behind me as I left the theater didn't like it, telling her friend, "I just couldn't stand Anna Paquin's character." The screenplay is deft at shorthanding idiosyncratic, complicated personalities with naturalistic dialogue. It also helps that every role in the film, including almost every minor part, is cast with a top notch actor. But for all the big Hollywood names, my props go to J. Smith-Cameron for a theater-grade performance scaled down to fit the intimacy of a close up shot. The movie explores the milieu of affluent teenagers attending an upscale school in New York City, and one of the other reviewers here is right in saying it resembles a French film in that it takes an mature approach to depicting adolescents, showing them as smart, complicated, sexual, uncertain. Most mainstream reviewers seem puzzled as to what they should think about it. I think it's over their heads, the elliptical, dialogue heavy, character driven narrative style, as well as the lack of an easy, simple take-away moral, seems to have befuddled them. Maybe we should rope in some theater critics' opinions instead.
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