Returning to her hometown of Vancouver on the news that her Caucasian father is on his deathbed, Rebecca learns from him before he dies that her aboriginal mother, Rita, did not abandon ...
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A doctor takes in a mysterious man who washes ashore at her remote cottage with a gunshot wound. Quickly they both learn the killer has arrived to finish the job, while a storm has cut them off from the mainland.
Returning to her hometown of Vancouver on the news that her Caucasian father is on his deathbed, Rebecca learns from him before he dies that her aboriginal mother, Rita, did not abandon them twenty-five years ago because Rita did not love Rebecca as he had always told her, but rather he forced Rita to leave. As such, Rebecca goes on a search for Rita through Vancouver's notorious downtown eastside, where over the years many aboriginal women, marginalized in society, have been found dead, most under the mysterious but suspicious circumstance of being alone in their single room occupancy (SRO) hotel with excessively high blood alcohol levels. Many of these women were officially classified as missing before their dead bodies discovered. Although she comes across a few leads, Rebecca believes the strongest lead in finding her mother is through a man named Norman, who claims to have seen the woman in the photograph, who he refers to as Shadie, sometime recently. Rebecca will learn how much...Written by
I recently saw this at the 2007 Palm Springs International Film Festival. It's a dramatized film version of Marie Clements' stage play The Unnatural and Accidental Woman. The term comes from the official cause of death being unnatural and accidental referring to the deaths of 10 native Canadian women on Vancouver's east side in the 1980's from acute alcohol poisoning. The women were known heavy drinkers of skid row and it was assumed they had died from self-induced over indulgence until it was learned that a common acquaintance of them had been seen with them before their deaths. In the actual story, career criminal Gilbert Paul Jordan was a former barber who was an alcoholic and craved alcoholic sex with hookers. He would get them drunk until they passed out and have sex with them and continue to pour alcohol down their throats. Jordan is depicted here as a mechanic. In this dramatization of the core of that story the film has the daughter of one of the victims going into the skid row district to search for her long missing mother and with the help of the spirits of the victims she is driven to find her mother or the killer. This is a fictionalized account of the story and may seem far-fetched but truth can be stranger than fiction which led Clements to write the play. Carl Bessai directs with good performances from Carmen Moore, Callum Keith Rennie and Tantoo Cardinal. This is a good film and may be worth checking out. I would give this a 7.0 out of 10.
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