When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his sons.
Hords of insane assassins (2 cute) gather in or near a bar waiting to kill an insignificant FBI pencil pusher at 3AM and collect $3M. He's kept in a safe house/bunker nearby surrounded by FBI agents. Action awaits.
Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby's delivery, while additional pursuers fire at them, including the gang's particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, gun factory, and presidential campaign all figure in Smith's quest for the child's safe deliverance.Written by
Michael Davis wrote the character of Smith for Clive Owen after watching him in Croupier (1998). See more »
In the brothel hallway when Hertz walks backwards and talks about the fingerprint guns, you can see the indicator light on Smith's gun showing green (as in print detected) which becomes red in the close-up view when Smith takes the hand out of his pocket. See more »
Wow. Shoot 'Em Up is exactly what it claims to be. An action movie. Balls to the wall, no holds barred, but nothing more. And that's exactly what you get. Don't go expecting high art...SEU doesn't take itself seriously enough for that. But that's exactly what makes it work. It KNOWS it's over the top, and doesn't try to hide it. Clive Owen's Smith character is the Bugs Bunny to Paul Giamatti's Hurtz Elmer Fudd. The film takes the best cartoon elements, makes them flesh, and still kicks in that over the top craziness. Bad puns that are so bad they're good, action sequences that there just for the sake of having an action sequence, and the wildest sex scene ever...it's amazing. It's the funniest, coolest, most amazing mix of stunts, bad one liners and paper think plot lines.
You get everything you expect from Shoot 'Em Up...and it's all great.
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