Two strangers stuck in Manhattan for the night grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
A group of young American ex-pats with telekinetic and clairvoyant abilities are hiding from a clandestine U.S. government agency. They must utilize their different talents and band together for a final job enabling them to escape the agency forever.Written by
The choice to shoot the film in Hong Kong was inspired by the classic film Casablanca (1942). Indeed, director Paul McGuigan explains that in the thirties and forties, Casablanca was a den for scoundrels and the perfect place to hide as everyone could go there. To the makers of the film, Hong Kong was the 2000's equivalent to Casablanca. See more »
After being freed from the trunk of a car during the shoot-out at the construction site, Nick picks up two guns. He is seen picking them up, holding them in the elevator, and still holding two when he presses against the wall, but as soon as he fires his first shot, he is only holding one gun with both hands. See more »
Dad, what's happening?
I need you to listen to me, like we're the last two people on the planet, okay Nick? Someday, a girl is going to give you a flower. You got that? A flower. And you have to help her, Nick. You help her, and you help us all. Okay? I know it doesn't make any sense right now, but I believe the woman who told me that. Do you think you can believe me?
I love you. Know how I've said that you were special Nick? Turns out that I was right.
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Written by The Old Ceremony
Performed by The Old Ceremony
Under license from Sir Groovy on behalf of of Sonablast! Records
By arrangement with Bank Robber Music See more »
Push offers a very interesting premise with its wide variety of psychics and the agency trying to keep it all under control and use them. Hong Kong offers an exotic background for the action to take place.
The movie makes an interesting attempt at being half action thriller, reminiscent of a Bourne movie, and half super-hero blockbuster, in the tradition of the X-Men. But director Paul McGuigan is never able to make us fully feel for the characters and their ordeal and the action sequences, while pleasant to watch, never instill emotional response. We're not scared for anyone, our blood does not pump during chases either.
The two stars of Push are an unlikely duo of actor which surprised me somewhat. Chris Evans has often been derided as being just another bland pretty face. Here, he is paired with young Dakota Fanning, who has been revered by many as a child prodigy actress. What's interesting to me is that, had I not seen previous films from these two, I wouldn't notice much difference in quality between the two. They both give a suitable performance. Neither Oscar-worthy nor garbage.
Unfortunately, the support cast is very weak. Camilla Belle is pretty but bland as usual. Cliff Curtis and Djimon Hounsou are both amazing actors but here they have very little to work with. I blame McGuigan and writer David Bourla for not providing them with opportunities to shine.
What makes this movie a 5 rather than a 6 is its confusing and botched conclusion. As if somehow the production ran out of time and needed to wrap things up on the spot. Perhaps hoping for a sequel? Push has an intriguing premise and more than enough basic material to be stretched into a trilogy or even a short TV series but as is the rule of thumb with those sort of things, it is doubtful things will get better should sequels be produced.
I wish the premise had been used to tell a better story, in a better way.
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