The Virgin Queen explores the full sweep of Elizabeth's life: from her days of fear as a potential victim of her sister's terror; through her great love affair with Robert Dudley; into her ... See full summary »
When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
Lucy Worsley gets into bed with our past monarchs to uncover the Tales from the Royal Bedchamber. She reveals that our obsession with royal bedrooms, births and succession is nothing new. ... See full summary »
Elizabeth uses a fork when having dinner with Leicester before the battle against Spain but the fork was not introduced to England until the early 17th century when James I was on the throne. See more »
[Signing Mary's death-warrant]
Queen Elizabeth I:
I want to hear no more of this... but someone is to give me an account of it when it is done.
See more »
When the series was repeated on British TV in 2006, the footage of the Babington plotters being tortured was cut, and the execution of Queen Mary was cut so that she was beheaded with one stroke, although the scene of Leicester telling Elizabeth that it had taken two strokes was left in. See more »
Though many a fine actress has essayed the role of Elizabeth I and done so quite successfully, each finding her own vision of the most important queen that ever lived and translating that to film (Cate Blanchette, Bette Davis, Judi Dench, and Glenda Jackson to name but a few), it should come as no surprise that the enormously gifted actress Helen Mirren could show us yet another aspect of Elizabeth.
This Elizabeth is set in her middle fifties, a woman still able to maintain her reputation as the Virgin Queen while settling into various assignations. Here Elizabeth is in love with Robert Devereux, Earl of Essex (Hugh Dancy) while being prepped for a 'proper union' with France's royalty in the form of the Duke of Anjou (Jérémie Covillault). But her 'love life' is only a small yet refreshingly nuanced portion of the long story. Mirren is fortunate to be supported by such fine actors as Jeremy Irons, Patrick Malahide, Toby Jones, Barbara Flynn, Ian McDiarmid, Simon Woods, Diana Kent, and Toby Salaman among the many standout characters.
The visual aspects of the production are some of the more luxurious ever placed on celluloid, with attention to detail in costuming (Mike O'Neill) and sets (Galius Klicius and Leon McCarthy) that are stunning to see. The fine musical score is by Robert Lane and incorporates period music with works written for the piece that stand solidly as classical music compositions. Cinematographers Dmitrij Gribanov and Larry Smith find the right balance between court grandeur and boudoir intimacy. And of course kudos to Director Tom Hooper and writer Nigel Williams! But standing above them all is the brilliance of Helen Mirren's involvement as Elizabeth. She provides us with even more information about the enigmatic queen, allowing us to see both the lusty woman and the brilliant monarch simultaneously. The film is a joy! Highly Recommended.
20 of 22 people found this review helpful.
Was this review helpful to you?
| Report this