A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.
Three half-brothers are reunited at their mother's funeral. After being told of their inheritance they quickly spend the money, only to find out that they will not receive it after all. The... See full summary »
Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
A genuine and often funny depiction of the relationships between monitors and children in a summer vacation camp. From romance to friendship, dancing to fighting, this French movie bring back good souvenirs of childhood.
An homage to classic spy films. It's 1955 and after a fellow agent and close friend disappears, secret agent Hubert Bonisseur de la Bath, a.k.a. OSS 117, is ordered to take his place at the head of a poultry firm in Cairo. This is to be his cover while he is busy investigating, foiling Nazi holdouts, quelling a fundamentalist rebellion, and bedding local beauties.Written by
According to the DVD extras, Michel Hazanavicius wanted the film to have a 1950s look and feel; when they could, the crew used vintage equipment and film. Camera techniques were limited to the type of shots commonly used in the 50s, and special effects were filmed similarly (rear projection roads for driving scenes, not-well-rendered model airplane, etc.). See more »
OSS 117 flies to Cairo in 1955 with a Caravelle, which entered service only in 1959. See more »
Smart, snappy, hilarious, stylish--don't miss this James Bond spoof
OSS: 117 (2006)
I wish for a couple hours I was French, because I'm sure there were twice as many gags as I could get as an American reading subtitles. Even so, what a funny funny movie. It's not quite as zany as a spoof like "Airplane" (nor quite as funny, which of course is hard to do), but it takes the Sean Connery vintage James Bond film model and really does a parody worthy of 007. And of the franchise, which of course is bigger than Bond, bigger than Ian Fleming could have ever dreamed.
But hold your horses--this is a parody of the real OSS:117. Yes, a French author created a Bond-like spy in the 1950s, and this movie and its 2009 sequel are really playing a double-edged game. They bring the old French spy to life (the original was a French-speaking American, bizarrely enough), and they make fun of him, of Bond, and of 1960s super slick sexist movies all around.
The star here, the Sean Connery of this spoof (he even looks a bit like the Scottish actor), is Jean Dujardin. He's brilliant. He's funny, campy, silly, serious, and subtle about it all. He plays the role with a kind of oblivious self-ridicule that Woody Allen and Peter Sellers were so good at. It's great stuff.
And he's backed up by a strong, if somewhat predictable, assortment of international thugs, beauties, and oddballs. There are shades of "Charade" here as well as the original "Pink Panther" movies. The scoring is amazing, composed with that Henry Mancini flair to a T and recorded with the familiar bright, echoey sound studio fullness of the time. Equally authentic are the opening credits, which were so convincing I had to double check when the movie came out. I was thinking, wow, a lost 1960s gem.
But it's a brand new gem, or almost gem. Time will tell if this will hold up over the years, but it's a kind of must-see now for anyone into Bond films, the 60s, French humor, or just a well made movie with lots of gags. Like the gag where the noisy chickens go silent when the lights go off, and so our hero delights in turning the lights on, and off, and on, and off. Just wait and listen. It'll slay you.
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