Shattered by the unexpected news of their irreversible break-up, an aspiring orchestra conductor is puzzled by his girlfriend's mysterious and seemingly inexplicable case of disappearance. But, can he look beyond the facts?
María Soledad Rodríguez
Laura, a former orphan, raises her adopted son Simón together with her husband Carlos in an old house and former orphanage where she was raised. While at the orphanage Simón tells Laura that he has five invisible friends which she believes are a product of his active imagination. Laura decides to reopen the orphanage to cater for disabled children and throws a party. During the party Simón tries to persuade Laura to go and take a look at his friends cabin but she's too busy. Later on she sees a mysterious masked boy and realizes that Simón has also disappeared. Laura feels the presence of other people in the house and months later Laura invites a team of parapsychologists to try to unravel the mystery.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To spice things up, director Juan Antonio Bayona would improvised things while shooting scenes to surprise the actors, like running on the background and hiding to suddenly startle them. See more »
After Laura is in the shed outside the house and she finds Benigna with a shovel hiding, and after Laura then tells Carlos to come down and check again with her, Carlos' torch shines onto the camera several times, and the reflection of the camera and the torch is in the background on the window. See more »
Seeing is not believing. It's the other way around. Believe, and you will see.
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Pieces of wallpaper are peeled off to reveal each of the opening credits. See more »
Attended the first commercial screening of The Orphanage (El Orfanato) last night at FrightFest, London.
Juan Antonio Bayona and writer Sergio G. Sanchez have delivered something really special for their first feature.
I have never jumped out of my seat like I did last night, nor my partner, nor most of the audience it seemed. Apart from the terrific scares, there are solid performances from the whole cast, stunning cinematography, and the editing is flawless. If I had to criticise one element, it is that the music swells just a little too much a couple of times, but it is a good score nonetheless.
See this one at the cinema.
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