A harrowing and frightening thriller about a man who has everything he's ever loved stripped away from him; and to earn his life and family back, he must face obstacles of mystical origins, endure countless tests of his faith, struggle with his own sanity, and explore the depth and the power of his soul..
When a dog suddenly appears and is eventually befriended by Ben, it follows him around presumably leaving paw-prints all over the place (particularly since it was often raining), yet later when Ben is told by the manager of the psychiatric institute that there couldn't have been any dog because animals were not permitted, all Ben would have had to do was to calculatingly arrange for the manager to see some of the paw-prints, thereby exposing the lie. See more »
Quotes
[first lines]
Katie Garvey:
Daddy, what's the greatest thing you ever saw?
Ben Garvey:
Greatest thing you ever saw. Umm. One time when I was a little boy, I was playing with my slingshot and I saw this Jaybird. I don't know why but I shot him.
Katie Garvey:
You killed a birdie?
Ben Garvey:
I didn't mean to. I don't even know why I shot at him, but I felt so bad, I started praying to God that he would come back. And all of a sudden the Jaybird woke up. He just flew away.
Katie Garvey:
God saved him?
Ben Garvey:
Yeah, I think so.
See more »
The Lazarus Project is directed by John Patrick Glen, who also co-writes the screenplay with Evan Astrowsky. It stars Paul Walker, Linda Cardellini, Piper Perabo, Bob Gunton, Malcolm Goodwin and Tony Curran. Music is by Brian Tyler and cinematography by Jerzy Zielinski.
A reformed criminal out on parole is beset by bad luck and finds himself sentenced to die by lethal injection. Strange then that once the lethal dose is administered, he wakes up working as a grounds-keeper at a psychiatric hospital
John Glen's first directing assignment is very much a mixed bag, but if landing in the DVD/Blu-ray players of the right audience it could well gain some momentum in the wake of Walker's untimely death.
It's one of those films that operates at a funereal pace and thrives on other worldly atmosphere. After the introductions to the main character and his psychological make-up is out the way, pic shifts into a realm where we, as well as Walker's character, are never sure what is real or what is going on. Is he in some afterlife place? Is it all in his head? A dream? Drug induced? And etc. One of the smart things about the movie is that it binds the audience to the mystery by asking us to fill in the gaps with our own logic. While crucially the reveal comes at the right time so as to give us viewers the opportunity to re-evaluate the various quandaries that the piece has thrown up.
For those who like films like Jacob's Ladder, Shutter Island, The Jacket et al, then this has to be at the very least of interest, to warrant the chance to sell itself to those particular sub-genre fans, besides which, it also shows a string to Walker's acting bow that was rarely tapped into by other directors. And it's beautifully shot by Zielinski too. Contemplative, intriguing and even chilling as regards the various themes it deals with, this Lazarus deserves its own second coming. 7/10
7 of 9 people found this review helpful.
Was this review helpful to you?
| Report this
The Lazarus Project is directed by John Patrick Glen, who also co-writes the screenplay with Evan Astrowsky. It stars Paul Walker, Linda Cardellini, Piper Perabo, Bob Gunton, Malcolm Goodwin and Tony Curran. Music is by Brian Tyler and cinematography by Jerzy Zielinski.
A reformed criminal out on parole is beset by bad luck and finds himself sentenced to die by lethal injection. Strange then that once the lethal dose is administered, he wakes up working as a grounds-keeper at a psychiatric hospital
John Glen's first directing assignment is very much a mixed bag, but if landing in the DVD/Blu-ray players of the right audience it could well gain some momentum in the wake of Walker's untimely death.
It's one of those films that operates at a funereal pace and thrives on other worldly atmosphere. After the introductions to the main character and his psychological make-up is out the way, pic shifts into a realm where we, as well as Walker's character, are never sure what is real or what is going on. Is he in some afterlife place? Is it all in his head? A dream? Drug induced? And etc. One of the smart things about the movie is that it binds the audience to the mystery by asking us to fill in the gaps with our own logic. While crucially the reveal comes at the right time so as to give us viewers the opportunity to re-evaluate the various quandaries that the piece has thrown up.
For those who like films like Jacob's Ladder, Shutter Island, The Jacket et al, then this has to be at the very least of interest, to warrant the chance to sell itself to those particular sub-genre fans, besides which, it also shows a string to Walker's acting bow that was rarely tapped into by other directors. And it's beautifully shot by Zielinski too. Contemplative, intriguing and even chilling as regards the various themes it deals with, this Lazarus deserves its own second coming. 7/10