Hana yori mo naho (2006)

A troubled young samurai seeks revenge for the death of his father.

Director:

Hirokazu Koreeda

Writer:

Hirokazu Koreeda

Stars:

Jun'ichi Okada, Rie Miyazawa, Arata Furuta

1 win & 2 nominations.

Cast

Cast overview, first billed only:
Jun'ichi Okada	...	Aoki Souzaemon aka 'Soza'
Rie Miyazawa	...	Osae
Arata Furuta	...	Sadashiro
Jun Kunimura	...	Isekan
Katsuo Nakamura	...	Shigehachi
Tadanobu Asano	...	Jubei Kanazawa
Yoshio Harada	...	Junai Onodera
Teruyuki Kagawa	...	Jirozaemon Hirano
Tomoko Tabata	...	Onobu
Yui Natsukawa	...	Oryo
Renji Ishibashi	...	Shozaburo Aoki
Ryûhei Ueshima	...	Otokichi
Yûichi Kimura	...	Magosaburo
Seiji Chihara	...	Tomekichi
Ryo Kase	...	Sodekichi (as Ryô Kase)

Storyline

In 1702, set against the backdrop of a long-delayed and insatiable revenge, a reserved samurai, Aoki Sozaemon, leaves his hometown in Matsumoto to come to bustling Edo in search of his father's killer. Unaccomplished as a swordsman, with his funds quickly drying up, Sozaemon must honour his clan's demand to avenge a disgraceful death, however, when he finally finds his target, he will have to make a difficult decision before a crushing dilemma. Is the way of the samurai stronger than the way of the heart?

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Plot Keywords:

samurai | revenge | 18th century | japan | 

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Taglines:

To Kill or Not to Kill, That is the Question.

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Genres:

Comedy | Drama

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Details

Official Sites:

Official site Official site [South Korea]

Country:

Japan

Language:

Japanese

Release Date:

6 May 2007 (USA)

Also Known As:

Hana: The Tale of a Reluctant Samurai

Filming Locations:

Kyoto, Japan

Company Credits

Production Co:

Shôchiku Eiga

Technical Specs

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

User Reviews

One of high points of TIFF

It's one of those films you come out of smiling a wide happy smile - it's so delicate and subtly funny (alright, it does feature a lavatory, but none of the "standard" toilet humor), it's also kind to characters and makes its point(s) in a sly, unobtrusive manner.

It's a celebration of human values over the way of the samurai, especially as it has been presented in Japanese and Western popular culture in the past few decades. A joy to watch visually, too. I thought it might be Koreeda-san's best film so far, although some viewers may find it a bit more conventional/Westernized than, say, Nobody Knows or Maboroshi (which is not at all bad).

I will deliberately leave it at that, to avoid revealing any of the plot, which often overturns expectations.

It was the second film out of 17 I saw at the Toronto International Film Festival, and it still remains a highlight for me.