Freedom Writers (2007)

A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.

Director:

Richard LaGravenese

Writers:

Richard LaGravenese (screenplay), Freedom Writers (book)

Stars:

Hilary Swank, Imelda Staunton, Patrick Dempsey

2 wins & 1 nomination.

Cast

Cast overview, first billed only:
Hilary Swank	...	Erin Gruwell
Patrick Dempsey	...	Scott Casey
Scott Glenn	...	Steve Gruwell
Imelda Staunton	...	Margaret Campbell
April L. Hernandez	...	Eva Benitez (as April Lee Hernandez)
Mario	...	Andre Bryant
Kristin Herrera	...	Gloria Munez
Jaclyn Ngan	...	Sindy
Sergio Montalvo	...	Alejandro Santiago
Jason Finn	...	Marcus
Deance Wyatt	...	Jamal Hill
Vanetta Smith	...	Brandy Ross
Gabriel Chavarria	...	Tito
Hunter Parrish	...	Ben Daniels
Antonio García	...	Miguel

Storyline

It's 1994 in Long Beach, California. Idealistic Erin Gruwell is just starting her first teaching job, that as freshman and sophomore English teacher at Woodrow Wilson High School, which, two years earlier, implemented a voluntary integration program. For many of the existing teachers, the integration has ruined the school, whose previously stellar academic standing has been replaced with many students who will be lucky to graduate or even be literate. Despite choosing the school on purpose because of its integration program, Erin is unprepared for the nature of her classroom, whose students live by generations of strict moral codes of protecting their own at all cost. Many are in gangs and almost all know somebody that has been killed by gang violence. The Latinos hate the Cambodians who hate the blacks and so on. The only person the students hate more is Ms. Gruwell. It isn't until Erin holds an unsanctioned discussion about a recent drive-by shooting death that she fully begins to ...

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Plot Keywords:

teacher | high school | marriage | journal | gang violence | 

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Taglines:

their story their words

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Genres:

Biography | Crime | Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for violent content, some thematic material and language

Details

Country:

Germany USA

Language:

English

Release Date:

5 January 2007 (USA)

Also Known As:

Écrire pour exister

Filming Locations:

University High School - 11800 Texas Avenue, West Los Angeles, Los Angeles, California, USA

Box Office

Budget:

$21,000,000 (estimated)

Opening Weekend USA:

$9,405,582, 7 January 2007

Gross USA:

$36,605,602, 15 March 2007

Cumulative Worldwide Gross:

$43,090,741

Company Credits

Production Co:

Paramount Pictures, Double Feature Films, MTV Films

Technical Specs

Runtime:

123 min

Sound Mix:

DTS SDDS Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This is the second time that Hilary Swank and Patrick Dempsey have been together in a film; the first was for Iron Jawed Angels (2004).

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Goofs

At the beginning of the movie when Mrs. G is new to the school, in the office, she picks up her coffee cup and puts it down, then in the next shot you can see her putting the coffee cup down again.

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Quotes

Erin Gruwell: But to get respect you have to give it.
Andre: Bullshit.
Erin Gruwell: What?
Andre: Why should I give you my respect to you? Because you're a teacher? I don't know you. How do I know you're not a liar standing up there. How do I know you're not a bad person standing up there? I'm not just gonna give you my respect because you're called a teacher.
Eva: White people wanting their respect like its for free.

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Connections

Referenced in Bill Burr: Why Do I Do This? (2008)

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Soundtracks

Rebirth Of Slick (Cool Like Dat)
by Ishmael Butler & Mary Ann Vierra
Performed by Digable Planets
Courtesy of Capitol Records
Under license from EMI Film & Television Music
Contains a sample of "Strechin'"
Performed by Art Blakey and The Jazz Messengers
Courtesy of Timeless Reocrds

User Reviews

A superior entry in a long history . . .

"Everyone who remembers his own educational experience remembers teachers, not methods and techniques. The teacher is the kingpin of the educational situation." Sidney Hook, Education for Modern Man

It would be easy to criticize Freedom Writers as just another cliché-infested classroom redemption story, more Blackboard Jungle than History Boys. But because it is based on a true story of at-risk students attending Woodrow Wilson High in Long Beach, a voluntarily integrated school, I have to avoid accusing it of being derivative and offer that it relates the essential truth about education: Most students have a voice if a teacher can find it; most students can thrive when a teacher creates a sense of family amid chaos, as Emily Gruwell did in the early '90's of Rodney King riots in Los Angeles. The diaries her students wrote inspired students around the country to do the same.

Seeing the photo of the real Gruwell with her students as the end credits roll, I can understand cynics saying this is typical Hollywood—no teacher can look like Hillary Swank! But rising above the petty carping that includes skepticism about transformation of unruly kids into real students within a year, I have to admit it happened because of the transforming power of love and words. As in Charlotte's Web, both ingredients are potent reformers of the disaffected.

Gruwell sacrifices, as cases of true love sometimes require, her personal freedom and loses her marriage for the higher good of the young people she teaches. Admittedly, her slacker husband, Scott (Patrick Dempsey), doesn't deserve such a gifted wife, and her crusty dad, Steve (a monumentally weathered Scott Glenn), has some stereotypical responses to his daughter's choices. Most of all I object to those actors as students: They are way too old to be playing 14 and 15 year olds. Surely there are gifted teens who could do the job! Overall, however, the film rings true about the magic a dedicated teacher can do with rebellious but malleable teens.

For those of us who still toil in the fields of education, Freedom Writers reminds us why we love a profession that gives us a chance to save souls in the only way we can certify outside the uncertain faith of religion. This film is a superior entry in a long history of teaching brought to its ideal form in film.