Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
28 Weeks Later picks up six months after the Rage Virus has decimated the city of London. The US Army has restored order and is repopulating the quarantined city, when a carrier of the Rage Virus enters London and unknowingly re-ignites the spread of the deadly infection and the nightmare begins... again.Written by
The character of Doyle is a reference to the director of "28 Days Later," Danny Boyle. The name "Doyle" consists of the d from "Danny," and the "oyle" from Boyle, making Doyle. See more »
When Andy & Tam escape to re-visit their old home, they are shown crossing Tower Bridge, which as they have started their journey from the Isle of Dogs, means they are travelling South across the river, but the next shot shows them passing the 'London Gherkin', which is built on the former site of the Baltic Exchange, St Mary Axe, in the City of London, on the North Bank. See more »
I've never been a huge fan of the zombie horror genre, but I was very impressed by Danny Boyle's 28 Days Later Somehow it managed to create characters worth caring about as well as throwing mindless zombies at them. So when I heard that a sequel was in the making, I was excited but understandably cautious since the Disappointing Sequel Syndrome is all too common nowadays. I also disapproved of the director switch, fearing that yet another low-budget gem will be Americanised by Hollywood, made far too slick for its own good.
So to say 28 Weeks Later was a pleasant surprise would be an understatement. Fresnadillo managed to maintain everything that was good in the original and add his own flair. The rage virus, the zombies and the gore are all still here. But most importantly, what keeps the series shockingly vivid is the willingness to flaunt the naked truth: we humans are the real monsters. Under such extreme circumstances, mankind's self-preservation instincts kicks in and it is an ugly sight to see. It might be the necessary thing to do, but that still doesn't make it feel right.
The film starts off at an odd pace but soon settles into a familiar terror-stricken rush. The cast was well selected, nothing out of the ordinary but no obvious weak links either. The Americanisation was not as severe as I had previously dreaded, and I actually quite welcomed Rose Byrne and Jeremy Renner leading the plot. The shots of post-apocalyptic London may have been done already but they're still as effective as ever, and John Murphy's score is brilliant as always.
All in all, a worthy sequel to Days and very few fans will be disappointed, I hope.
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