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Christoph M. Ohrt,
Carin C. Tietze,
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Cécile de France,
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This film is so well photographed, produced, acted, scripted, etc., I feel a bit caddish for complaining about any aspect of it.
The photography is beautiful, lush at times, and often original. Much of the story takes place in dreams, or in a dream-like state, and the cinematographer does a good job conveying as much.
The film returns repeatedly to segments of an all night conversation between the two male leads, revealing nothing particularly extraordinary. Their dialog is the kind college kids have when they're talking about The Meaning of It All. But aspects of that discussion are played off against events occurring around them in the days that follow. It's a nice structure, one that lends itself to the dreamy photography.
I think the film could have been truly great if just a bit of the thematic and visual metaphors had been scaled back. This slight excess is noticeable, and that, I think, is a shame. Don't get me wrong--this is so far and away above the quality of most gay cinema it's definitely worth seeing, and thoroughly enjoyable.
I think Netflix has categorized this film as Foreign, rather than as Gay & Lesbian. It's French, so it clearly belongs to the former, but it is also a top tier example of the latter.
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