The Bride must kill her ex-boss and lover Bill who betrayed her at her wedding rehearsal, shot her in the head and took away her unborn daughter. But first, she must make the other four members of the Deadly Viper Assassination Squad suffer.
Vivica A. Fox
Former musician and gunslinger El Mariachi arrives at a small Mexican border town after being away for a long time. His past quickly catches up with him and he soon gets entangled with the local drug kingpin Bucho and his gang.
Joaquim de Almeida
A double-bill of thrillers that recall both filmmakers' favorite exploitation films. "Grindhouse" (a downtown movie theater in disrepair since its glory days as a movie palace known for "grinding out" non-stop double-bill programs of B-movies) is presented as one full-length feature comprised of two individual films helmed separately by each director. "Death Proof," is a rip-roaring slasher flick where the killer pursues his victims with a car rather than a knife, while "Planet Terror" shows us a view of the world in the midst of a zombie outbreak. The films are joined together by clever faux trailers that recall the '50s exploitation drive-in classics.Written by
In the Death Proof (2007) segment when Kim, Zoe, and Abby are in the Challenger, ready to go on their "test drive", they pull up by Mary, and Abby says, "Hey good looking, we'll be back later for YOU!" This was a line in a commercial for a cheesy Ronco product, Mr. Microphone, in the '70s. See more »
Deathproof - at 1h 26m the camera rises up as if on a jig, hits the limit, and bounces down a little. They chose to not cut this out as they wanted the remaining long shot to show the cars driving into the distance. See more »
Just below the listing for Quentin's personal chef is the following credit: "Personal Chef for Mr. Rodriguez - Robert Rodriguez" See more »
The DVD from Alliance Films Is the edited and recut versions of the two films. This was because the film first received an NC-17 rating and to allow the DVD to sell better it was Edited for violence and language making it a hard PG-13 rating. The changes are as followed:
The scene in the dance club is trimmed.
The scene were the woman on the road is torn apart by zombies is edited.
The scene were the alarm clock rings. William and Dakota get out of bed. Is missing.
-You can see earlier how Dakota puts the toy aside.
-The scene where Cherry puts her foot under the water tap and pulls the splinter out of the wound is missing.
-The scene of the front court continues.
-In the car there is a dialogue missing between Dakota and her son.
-The flash "missing reel" can be seen longer.
-You can see the flash: "Reel Missing" more times in this version to cover up the violent scenes.
-The dashboard scene is edited to one Mike slams on the brakes the card "Missing Real" appears again and cuts to mike driving without Pam's body in the car.
-Earl and Edgar step through the first door.
the longest different cuts 11 minutes.
-The video turns black and white. When Mike starts smoking while Kims' car stops next to him.
The entire car crash scene is edited to a zoomed out shot of Mikes Chevrolet Chevy II/Nova crashing against the girl's car without showing the leg and allice's face being skimmed by the tires.
Mikes death at the end of the film is obscured by the girls.
The differences stated make each movie 30 mins shorter making the DVD's run time 125 min. The full theatrical release ( Not the Extended and unrated cuts) are available in the Blu-Ray collector's edition. See more »
I won tickets to the world premiere of Grindhouse in LA this past week and it was the best 3 hours of my life in recent history. The stories of the two movies combined with the detail and inventiveness of Quentin Tarantino and Robert Rodriguez brought together 3 hours of action packed fun. The two directors updated the sleazy grindhouse movie experience from the 70's and commercialized it so that we can all enjoy it. You won't find some greasy guy with his pants around his ankles sitting next to you, but you are probably going to be able to sit through all 3 hours of these movies.
I want to compliment the directors for having a unique cinematic vision (and the Weinsteins for funding that vision). I don't always agree with the choices made with either of the filmmakers, but I think they are two of the hardest working most innovative people in Hollywood today. I add this because most film studies students love to hate both of these people and in most conversations suggest that they would be able to do a much better job than either. I disagree.
Planet terror is a gross out flick that has appropriate amounts of gore and guts. If you like Rodriguez, then this movie fits in with all of his previous works. No real surprises here, but fun fun fun!
Tarantino surprised me. I liked the first movies from Tarantino because his movies were set in realities not far from our own. I doubt that it would happen in a weekend, but Pulp Fiction is a semi-believable good story in Los Angeles with unbelievable dialog. Same with Reservoir Dogs. (Jackie Brown is too believable and therefore, uninteresting) As he has progressed, his movies became fantasy, e.g., From Dusk til Dawn and Kill Bill 1 & 2 and WAY too over the top for a "Tarantino" flick.
Death Proof brings it all home! I don't want to spoil any of the movie, so just go see it! It's a simple plot with unbelievable suspense and decent dialog. I have never been so nervous in a film in as long as I can remember. Its no secret that the movie involves a car -- but Tarantino has taken a "classic" car scenario using a classic car and updated it for the new millennium. One only has suspend belief "just enough" for this mix of reality and fantasy to suck them in. It was Tarantino at his best.
Both movies were well executed, well scored, well written, and well played. The extra's and cameos are icing on the cake. No Oscars for either director, but that isn't why you went to see these movies in the first place, now is it?
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