In a remote and windswept valley somewhere in the rugged landscapes of Iceland, a solitary elderly couple prepares for the forthcoming winter; however, the urge to work in such a feverish haste remains unknown.
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Atli Oskar Fjalarsson,
Sigurdur Jakob Helgason
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Solitary, exhausted, and profoundly melancholic--the anachronistic, Madame Tutli-Putli--waits patiently to board a train, surrounded by a lifetime's worth of personal belongings. Is she running away from a bleak past?
In a remote corner of Iceland, winter is coming on. An aging farmer named Hrafn is doing has last chores before leaving with his wife Gróa for a retirement home in the city. Their daughter Lilja will be coming after the weekend to pick them up. She calls her parents, interrupting her dad's lunch. Her mother is napping. The stoic Hrafn wants to make sure she won't come before Monday. What are these last chores?Written by
A Beautifully Photographed and Acted Stark Look at An Old Man's Choices
"The Last Farm (Síðasti bærinn í dalnum)" is a moving visualization of Dylan Thomas's admonition of "Do not go gentle into that good night."
Amidst beautiful cinematography of rural Iceland, we see an old farmer methodically go about his plans. Through physical pain and the determination of a craftsman, he is very intent and serious.
For most of the film we think his monosyllabic interaction with friends and family is about closing up to resettle in a retirement community, though he certainly doesn't look happy looking at its colorful brochure.
In contrast to the preternaturally cheerful way that younger folks speak to him, this is one old wily independent isolate who chooses to live his life in his own distinctive way.
What at first seems macabre and shocking becomes a frank look at dealing with old age. With very minimal dialog, this stark film is very sympathetic to the farmer's unusual choices.
This film was viewed as part of a commercial screening of Oscar nominated shorts.
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