Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
The magically long-haired Rapunzel has spent her entire life in a tower, but now that a runaway thief has stumbled upon her, she is about to discover the world for the first time, and who she really is.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?Written by
Right after Giselle and the prince meet, the evil queen refers to Giselle as a "forest rat." Jafar referred to Aladdin as a "street rat". See more »
When Giselle returns to Morgan for help getting ready for the ball, she kneels down and her hair is partly over her shoulder and partly behind her back. When the camera cuts in close, her hair is entirely over her shoulder to the front. See more »
Once upon a time, in a magical kingdom known as Andalasia, there lived an evil queen. Selfish and cruel, she lived in fear that one day her stepson would marry and she would lose her throne forever. And so she did all in her power to prevent the prince from ever meeting the one special maiden with whom he would share true love's kiss.
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The cutouts shown in the end credits reference various Disney films, such as Fantasia (1940), Snow White and the Seven Dwarfs (1937), Cinderella (1950), The Princess and the Frog (2009), and The Little Mermaid (1989). See more »
Combining elements of modern day Manhattan with romanticized fairy tale settings, "Enchanted" tells the story of Giselle (Adams), your typical Disney leading lady living in a cottage, singing with innocent creatures, awaiting the day she would meet her prince charming. He turns out to be Prince Edward (James Marsden), a dashing debonair who happens to be the stepson of the wicked witch Queen Narissa (Susan Sarandon). They meet, fall in love in a whim, and decide to marry the next day.
Problem is, step-mom wouldn't allow anyone to take over her throne so she poses as an old woman and pushes a clueless Giselle into a well that transports to - ahem - our world, where her quixotic perspective sets her apart from everyone else. Her city misadventures eventually lead her to Robert (Patrick Dempsey), a divorce lawyer separated from his wife and trying to raise his daughter Morgan (Rachel Covey) by himself.
While awaiting to be rescued by her Prince Edward, Giselle bonds with father and daughter, with him teaching her a thing or two about dating, and her teaching him on the positive aspects of love.
While obviously an attempt to satirize the genre it carved its name on, this Disney flick helmed by Kevin Lima does it in a way that's not in a mocking manner as Dreamworks animated films usually are. Rather, they are handled with affection that makes the fairy tale angle a rather sweet and funny affair. The interweaving elements of live-action and animation blend alright and don't feel unbalanced.
Of course, you can say that this movie really belongs to Adams, who with her cheerful nature, makes it easy for one to feel for her character by providing depth and giving an additional dimension to Giselle. The supporting cast pale in comparison although they do have their moments, especially Sarandon who easily hams it up during a climactic event.
"Enchanted" doesn't necessarily mark a return of the old fairy tale magic conspicuously absent in recent Disney films; but it has the charms and clever wit - not to mention star Amy Adams bubbly charisma - to win over audiences outside the target demographic.
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