A young maiden in a land called Andalasia, who is prepared to be wed, is sent away to New York City by an evil queen, where she falls in love with a lawyer.
Mia Thermopolis has just found out that she is the heir apparent to the throne of Genovia. With her friends Lilly and Michael Moscovitz in tow, she tries to navigate through the rest of her sixteenth year.
Director:
Garry Marshall
Stars:
Julie Andrews,
Anne Hathaway,
Hector Elizondo
A waitress, desperate to fulfill her dreams as a restaurant owner, is set on a journey to turn a frog prince back into a human being, but she has to face the same problem after she kisses him.
Directors:
Ron Clements,
John Musker
Stars:
Anika Noni Rose,
Keith David,
Oprah Winfrey
Ella is under a spell to be constantly obedient, a fact she must hide from her new step-family in order to protect the prince of the land, her friend for whom she's falling.
Identical twins Annie and Hallie, separated at birth and each raised by one of their biological parents, later discover each other for the first time at summer camp and make a plan to bring their wayward parents back together.
Director:
Nancy Meyers
Stars:
Lindsay Lohan,
Dennis Quaid,
Natasha Richardson
A selfish prince is cursed to become a monster for the rest of his life, unless he learns to fall in love with a beautiful young woman he keeps prisoner.
Routinely exploited by her wicked stepmother, the downtrodden Sam Montgomery is excited about the prospect of meeting her Internet beau at the school's Halloween dance.
Director:
Mark Rosman
Stars:
Hilary Duff,
Chad Michael Murray,
Jennifer Coolidge
After being snubbed by the royal family, a malevolent fairy places a curse on a princess which only a prince can break, along with the help of three good fairies.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?Written by
Orange
In the scene where Prince Edward is on cars searching for Giselle, you can see a billboard for Hairspray (2007). James Marsden starred in that film in 2007, the same year Enchanted (2007) was released. See more »
Goofs
Nathaniel takes Edward to a motel, some restaurants, and other activities which require money or some other form of payment. Nathaniel also moonlights as a cab driver and waiter, abilities which one would not expect an "Andalasian" to pull off in New York. However, Queen Narissa seems to have some knowledge of New York, and could conceivably have arranged for Nathaniel to avoid trouble in these areas before he went on his mission. See more »
Quotes
[first lines]
Narrator:
Once upon a time, in a magical kingdom known as Andalasia, there lived an evil queen. Selfish and cruel, she lived in fear that one day her stepson would marry and she would lose her throne forever. And so she did all in her power to prevent the prince from ever meeting the one special maiden with whom he would share true love's kiss.
See more »
Crazy Credits
The cutouts shown in the end credits reference various Disney films, such as Fantasia (1940), Snow White and the Seven Dwarfs (1937), Cinderella (1950), The Princess and the Frog (2009), and The Little Mermaid (1989). See more »
This is really the definition of "light entertainment," and seriously, I am still smiling about it now. After getting in the way of an Evil Queen, a fairytale princess is cast into an alternate reality--the real world as we know it--and must survive there until her rescue by her Prince Charming. Hmm! From the trailer I saw, my guess was that "Enchanted" was a one-joke show, a series of gags about how fairytale magic falls on its face in the real world. That Disney has managed to squeeze at least four or five good jokes out of the idea, and mixed in a few sprinkles of profundity on top of that, is something of an achievement. As a romp, it works fairly well, and it delivered quite a lot more than I was expecting.
This is a risky film to make, and Disney gets points for having the guts to unleash this oddity on the holiday season. It's a fun film that isn't afraid to go, occasionally, in weird and startling directions.
The intersection of the two worlds--the world of faith and magic, and the world of disillusionment and hard reality--creates the expected comedic drama at first. Then the two opposing realities begin to influence and change each other in unsettling and stimulating ways that may surprise the audience. The ideas aren't fully developed, but a crucial detail was attended to at the wrap-up that satisfied me--the main characters succeed mainly because they are able to grow beyond their previous conceptions of themselves.
Along the way of telling this story, we get to see a very challenging film production featuring two distinct worlds and their accompanying designs, and the intermingling of these two worlds. It's occasionally heavy on visual effects and animated sequences, but the effects are always story-driven and never gratuitous--a surprising enough thing nowadays that it's worth taking note of. Strong film-making skills, with an old-school sensibility, are at work.
My rating gets an extra point for an audacious, overblown MGM-style singing/dancing sequence, the kind that is rarely seen in theatres nowadays. Go see it!
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This is really the definition of "light entertainment," and seriously, I am still smiling about it now. After getting in the way of an Evil Queen, a fairytale princess is cast into an alternate reality--the real world as we know it--and must survive there until her rescue by her Prince Charming. Hmm! From the trailer I saw, my guess was that "Enchanted" was a one-joke show, a series of gags about how fairytale magic falls on its face in the real world. That Disney has managed to squeeze at least four or five good jokes out of the idea, and mixed in a few sprinkles of profundity on top of that, is something of an achievement. As a romp, it works fairly well, and it delivered quite a lot more than I was expecting.
This is a risky film to make, and Disney gets points for having the guts to unleash this oddity on the holiday season. It's a fun film that isn't afraid to go, occasionally, in weird and startling directions.
The intersection of the two worlds--the world of faith and magic, and the world of disillusionment and hard reality--creates the expected comedic drama at first. Then the two opposing realities begin to influence and change each other in unsettling and stimulating ways that may surprise the audience. The ideas aren't fully developed, but a crucial detail was attended to at the wrap-up that satisfied me--the main characters succeed mainly because they are able to grow beyond their previous conceptions of themselves.
Along the way of telling this story, we get to see a very challenging film production featuring two distinct worlds and their accompanying designs, and the intermingling of these two worlds. It's occasionally heavy on visual effects and animated sequences, but the effects are always story-driven and never gratuitous--a surprising enough thing nowadays that it's worth taking note of. Strong film-making skills, with an old-school sensibility, are at work.
My rating gets an extra point for an audacious, overblown MGM-style singing/dancing sequence, the kind that is rarely seen in theatres nowadays. Go see it!