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La maison du bonheur (2006)

Not Rated | | Comedy | 7 June 2006 (France)
On a mission to loosen up, a miser's sets about buying a house in the country for his family.

Director:

Dany Boon

Writer:

Dany Boon
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Cast

Credited cast:
Dany Boon ... Charles Boulin
Michèle Laroque ... Anne Boulin
Daniel Prévost ... Jean-Pierre Draquart
Zinedine Soualem ... Mouloud Mami
Laurent Gamelon Laurent Gamelon ... Donatello Pirelli
Line Renaud ... Tata Suzanne Bailleul
Michel Vuillermoz Michel Vuillermoz ... Jacques Kurtz
Ariane Séguillon Ariane Séguillon ... Nicole Kurtz (as Ariane Seguillon)
Gaëlle Bona Gaëlle Bona ... Élisabeth
Antoine Chappey Antoine Chappey ... Alexis Boulin
Laure Sirieix Laure Sirieix ... Norah Boulin
Didier Flamand Didier Flamand ... Le banquier
Jacqueline Jehanneuf Jacqueline Jehanneuf ... La propriétaire de la maison
Rest of cast listed alphabetically:
Patrice Abbou Patrice Abbou ... Barman bistrot
Virginia Anderson Virginia Anderson ... Le Médecin
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Storyline

On a mission to loosen up, a miser's sets about buying a house in the country for his family.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

Not Rated | See all certifications »
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Details

Official Sites:

Pathé [France]

Country:

France

Language:

French

Release Date:

7 June 2006 (France) See more »

Also Known As:

A Casa dos Teus Sonhos See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Connections

Featured in Les clefs de 'La maison de bonheur' (2006) See more »

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User Reviews

 
the wretched house
7 August 2006 | by dbdumonteilSee all my reviews

Dany Boon is a well-known humorist in my native France but I must admit he's not one of my favorite humorists. My favorite one is definitely Franck Dubosc. This film, "la Maison Du Bonheur" is his debut movie and for the topic, he didn't complicate the issue. Basically, it was a play he wrote himself and its popularity was wide enough to galvanize him to transpose it to the silver screen. A delicate operation because when one turns a play into a film, it is necessary to lighten the unities of time, space partly to avoid stage film production. Dany Boon perfectly overcame this obstacle. Throughout the film, the camera moves in several places and the knowledge that the story was originally a play is rapidly in limbo. But then, things go a little wrong...

The staple idea is classy and to tap it, Dany Boon set himself to a classical scheme. Hae acts a stingy creditor who for once decides to be generous by buying a country house near Paris. Unfortunately, many complications and vicious gears will plunge him in a downward spiral. When one discovers the film sequences in which concealed truth and two-bit lies reign in most of them, one figures that Dany Boon's film had a true potential for being a first-class French comedy. The problem lies in the fact that he didn't have enough verve and strength to make laughter last until the tail end. Laughter are too scattered here and there during the screening and it's a little regrettable because a good proportion of the sequences could have been exploited in a funnier way. That said, when I went to see the film in the theaters, at the end of the end credits, there was a sort of collection of out-takes and I laughed until I cried. Anyway, I don't want to demean Boon's piece of work because when he succeeds in tapping the comical reserve of a scene, it really works.

Dany Boon also hired a three-star cast whose input in the venture makes up a bit for the unfinished side of the comedy. Daniel Prévost is as jovial as disturbing and his character could be a distant cousin of Lucien Cheval, the tax inspector he acted in Francis Veber's exquisite "le Dîner De Cons" (1998). Michèle Laroque is a very subtle actress and Michel Vuillermoz "De la Comédie Française" makes his part count. Zinedine Soualem, one of the two lazy, incompetent workers and regularly featured in the Klapisch universe is irresistible. But there's one major problem and it's Dany Boon himself in the main role: he offers a rather wooden acting. He could have been so much better if he had been able to shade his role.

So, Dany Boon was within an ace of reaching the perfect comedy. He just lacked perseverance, audacity and so limited the treat to the audience. But it's not a reason to decry his film. So, don't pay attention to the current mark of the film on this site (a lowly 5.2 out of 10) and consider it as a palatable supplier of laughter. And the characters introduced in this film could be larger than life.


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